Super Muñeco | |
---|---|
Born |
Mexico City, Mexico |
April 10, 1962
Professional wrestling career | |
Ring name(s) | El Sanguinario Jr. Super Muñeco |
Billed height | 1.70 m (5 ft 7 in) |
Billed weight | 98 kg (216 lb) |
Trained by | El Sanguinario |
Debut | March 22, 1982 |
Super Muñeco (Super Doll), born April 10, 1962, is a Mexican Luchador enmascarado, or masked professional wrestler. Super Muñeco is Spanish for "Super Toy", a comedic ring character based on a clown. Super Muñeco is best known for having the second highest number of Luchas de Apuestas "bet match" wins, having won the mask or hair of over 100 wrestlers. Per the tradition of masked wrestlers in Mexico, Super's real name and identity have not yet been revealed.
Super Muñeco is the son of deceased professional wrestler El Sanguinario (the Bloodthirsty) and initially worked as "Sanguinario, Jr." before changing his ring persona to Super Muñeco. Muñeco's brothers wrestle or have wrestled as Sanguianrio, Jr. and Sanguinario, Jr. III, while a third brother wrestles as "Super Muñeco, Jr.". Super Muñeco was one third of the team Trío Fantasía (Fantasy Trio) along with Super Ratón and Super Pinocho, a trio with ring personas geared towards the kids in the crowd.
Muñeco made his professional wrestling debut on March 22, 1982, working under the name "Sanguinario, Jr." named after his father "El Sanguinario". Initially he teamed with his father, but did not make much headway under the "Sanguinario, Jr." name. One day in late 1983 Muñeco's girlfriend commented that it was odd he played a bloodthirsty Rudo (a villainous character or Heel) when it was so unlike who he really was. The comment set off an idea, based on a famous Mexican "Tramp Clown" called "El Tramposo", he developed a "wrestling clown" ring character called "Super Muñeco" (Super Toy in Spanish), complete with a mask that looked like a smiling clown face. With the Super Muñeco character he quickly became a Tecnico (a good guy or Face), especially popular with children. Initially, other wrestlers did not like the comedic persona nor did they like to work with and lose to "a clown" causing them to work "stiff", by actually punching him or twisting joints a bit harder than necessary to show their displeasure. In the mid-1980s Super Muñeco worked mainly at "Pavillón Azteca" and became one of the main attractions on their weekly shows. He became one of the first television stars when Lucha Libre returned to regular television in the 1980s, helping the show Super Lunes (Super Monday) attract good ratings and drawing a full crowd whenever he was on the Pavillón Azteca shows.