Sunflower Seeds (artwork)
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Ai Weiwei's Sunflower Seeds in the Tate Modern
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| Artist | Ai Weiwei |
| Year | 2008 |
| Medium | porcelain |
| Location | Tate Modern, London |
| Website | www |
Kui Hua Zi (Sunflower Seeds) is an art instillation created by contemporary artist and political activist, Ai Weiwei. It was first exhibited at at the Tate Modern art gallery in London from October 2010 to May 2011. It is a commentary on the mass production techniques that China caters to Western Countries. Viewers were originally able to interact and walk across the sunflower seeds, but after the Tate Modern Museum recognized that the dust emitting from the instillation was harmful to viewers lungs, they fenced it off. The piece has been exhibited in twelve exhibitions from 2009-2013 in museums and galleries across the world.
Ai Weiwei is one of the most important conceptual artists in China. Towards the later 20th century, he led societal movements challenging the Chinese Communist Party. Weiwei has felt the presence and pressures of the society that the Chinese government has imposed on the peoples, and that is generated into his artwork. “‘From a very young age I started to sense that an individual has to set an example in society’, he has said. ‘Your own acts and behaviour tell the world who you are and at the same time what kind of society you think it should be.’”
This massive art instillation includes over 100 million porcelain sunflower seeds that cover a 1,000 square meter floor with a depth of 10cm in the Tate Modern's Turbine Hall. The entire artwork weighs around 150 tons. Each seed went through a 30 step procedure, hand painted and fired at 1,300 degrees. This process required more than 1,600 workers over a span of two and a half years in Jingdezhen, a town that is known as the "Porcelain Capital," and has produced the imperial porcelain for over a thousand years. Ai Weiwei began the process two and a half years before its exhibition at the Tate Modern.
Sunflower seeds were a common theme in the Chinese Communist Party's political propaganda during Weiei's childhood. Leader Mao Zedong would often represent himself as the sun, and the people of China as seeds on sunflowers in artworks. Weiwei also explains that when he was growing up, even the poorest families in China could share the seeds as a treat. The seeds represent optimism during difficult times.
When looking at the seeds up close in Tate Modern’s Turbine Hall, picking out each unique seed proves to be an easy task. However, when standing farther back once each of the 100 million seeds is deposited in a neat and orderly fashion, all together a sense of expanse and immenseness is felt by the viewers. The millions of individually created seeds spread across such a wide space are meant to symbolize the vastness of China, and its uniform and precise order. An individual seed is instantly lost among the millions, a symbolizing the conformity and censorship of the Chinese Communist Party. The combination of all the seeds represent that together, the people of China can stand up and overthrow the Chinese Communist Party. Most of Weiwei's artworks and projects carry this theme of making the Chinese Government's faults transparent to the rest of the world, as well as encouraging freedom of expression and strength to act. Along with this, the seeds represent China's growing mass production stemming from the consumerist culture in the west. The sculpture directly challenges the “Made in China” mantra that China is known for, considering the labor-intensive and traditional method of creating the work. The work triggered inquiries from the viewers of the piece about their society and the effects of consumerism.
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Wikipedia