Suddha (film)
| Suddha (The Cleansing Rites) | |
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Film poster
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| Directed by | Ramchandra P. N. |
| Produced by | Sonk Films |
| Written by | Ramchandra P. N. Dialogues: Narayana Nandalike Mohan Marnad Surendra Kumar |
| Cinematography | Sameer Mahajan |
| Edited by | Ramchandra PN |
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Release date
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2005 |
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Running time
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105 minutes |
| Country | India |
| Language | Tulu |
Suddha, also called The Cleansing Rites, is an Indian film, the first ever Tulu language film shot on the digital format. The 105 minute film was shot in 2004 in a village called Marnad near Mangalore, Karnataka and was released in 2005. The film is an adaptation of the Tulu Sahitya Academy award winning Tulu play called Bojja written by Mumbai-based playwright, Narayana Nandalike. Suddha was produced by three Mumbai Tuluvas Mohan Marnad, Surendra Kumar and Ramchandra PN. It was directed by Ramchandra PN, a graduate of the Film and Television Institute of India, Poona. Suddha was his first feature length film.
Suddha depicts the death of the feudal system that existed among the Tulu speaking community in coastal Karnataka for many years, and the impact of The Land Ceiling Act which was ushered during the sixties and seventies, had on its social structure. It is the story of modern India - of changing caste equations and a realization of this reality among the land owning class, albeit a bit late. Though the film is set in a remote village near Mangalore, it could well have happened in any other village elsewhere in India.
An ex-landlord family comes to terms with the fact that they are living in their last leg of feudal existence when it cannot perform a last rites in a grand manner in which it was once used to.
The uniqueness of this film is that it uses available lights and natural sounds. The sound tack or the sound design of this film as a text is something new to Tulu cinema. There is no background music in the film, carefully places sound effects themselves give the effect that music gives.
"The film uses the chirping of birds, flowing water and folklore-like songs extensively as its outdoor sound and ticking sound of clock for the indoor sound. The ticking sound of clock and a frequent presence of radio songs, successfully create a calm village house environment. The cinematography , by depicting the mud walls, wooden carvings of windows and doors and the lush greenery of the village helps to take this film to a next level."
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Wikipedia