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Struck Oil (film)

Struck Oil
Directed by Franklyn Barrett
Produced by Humbert Pugliese
Based on play by Sam Smith, Clay Greene and J.C. Williamson
Starring Maggie Moore
Harry Roberts
Cinematography Ernest Higgins
Production
company
Australian Art Productions
Release date
20 October 1919
Running time
7 reels
Country Australia
Language Silent film
English intertitles
Struck Oil
Written by Sam Smith
Clay Greene
J.C. Williamson
Date premiered 23 February 1874
Place premiered Salt Lake City
Original language English
Genre melodrama

Struck Oil is a 1919 Australian silent film directed by Franklyn Barrett. It is based on a play set during the American Civil War whose popularity with the Australian public as a stage vehicle for Maggie Moore was the basis for J.C. Williamson's success as a theatre entrepreneur.

It is considered a lost film.

John Stofel is a Dutch shoemaker who has settled in America, and has a daughter, Lizzie. During the US Civil War, John goes off to fight in the place of a cowardly deacon who gives him the title deed of a farm. John returns from the war wounded and insane. Oil is discovered on the farm and the deacon tries to take the land back. However, John regains his memory, finds the hidden title deed and the deacon is forced to give up his claim to the Stofels.

American actor J.C. Williamson was a leading actor who had toured Australia and just married Maggie Moore when he read a one-act play called The Dead, or Five Years Away from Irish miner and amateur playwright Sam Smith. It was originally a one-man piece about John Stofel which was similar to Rip Van Winkle. Williamson bought the play outright for $100 had it rewritten by his friend Clay M. Greene, and retitled it Struck Oil. He then took the play to Salt Lake City where Williamson claims he re-wrote the last act himself.

Williamson and Moore appeared in the play when it made its debut on 23 February 1874. It was a hit and they then took it to Australia where it debuted in Melbourne at the Theatre Royal on 1 August 1874.

The play was a massive success, ultimately selling 93,000 tickets in a city of 110,000 people, and proved equally popular around the rest of the country. What was meant to be a 12-week tour of Australia ended up lasting for fifteen months and netting Williamson £15,000.

Williamson used this money to launch his career as a theatre manager and Maggie Moore became one of the most popular performers on the Australian stage.

Williamson and Moore toured with the play in India, the USA, Europe and Britain, as well as frequently reviving it in Australia. In 1894 Moore left Williamson and formed her own theatre company; they divorced in 1899.


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