String section

The string section is the largest body of a single instrument category in the standard Classical orchestra. It normally consists of the first violins, the second violins, the violas, the cellos, and the double basses (or basses). The first and second violinists play the same types of instruments; the difference between the two sections is in the types of musical lines that are typically given to each section. The first violins are generally given the melody or higher-pitch musical lines, whereas the second violins generally play a part that is lower in pitch than the first violins. The second violins may play a harmony part, a countermelody or an accompaniment passage. In discussions of the instrumentation of a musical work, the phrase "the strings" or "and strings" is used to indicate a string section as just defined. An orchestra consisting solely of a string section is called a string orchestra. Smaller string sections are used in jazz, pop and rock music arrangements and in musical theatre pit orchestras.

The most common seating arrangement in the 2000s is with first violins, second violins, violas and cello sections arrayed clockwise around the conductor, with basses behind the cellos on the right. The first violins are led by the concertmaster (leader in the UK); each of the other string sections also has a principal player (principal second violin, principal viola, principal cello and principal bass) who play the orchestral solos for the section, lead entrances and, in some cases, determine the bowings for the section (the concertmaster/leader may set the bowings for all strings, or just for the upper strings). The principal string players sit at the front of their section, closest to the conductor and on the row of performers which is closest to the audience.

In the 19th century it was standard to have the first and second violins on opposite sides (violin I, cello, viola, violin II), rendering obvious the crossing of their parts in, for example, the opening of the finale to Tchaikovsky's Sixth Symphony. If space or numbers are limited, cellos and basses can be put in the middle, violins and violas on the left (thus facing the audience) and winds to the right; this is the usual arrangement in orchestra pits. The seating may also be specified by the composer, as in Béla Bartók's Music for Strings, Percussion and Celesta, which uses antiphonal string sections, one on each side of the stage. In some cases, due to space constraints (as with an opera pit orchestra) or other issues, a different layout may be used.

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