The Stonecoast MFA Program in Creative Writing is a graduate program in creative writing based at the University of Southern Maine in Portland, Maine, United States. Stonecoast enrolls approximately 100 students in four major genres: creative nonfiction, fiction, poetry, and popular fiction. Other areas of student interest, including literary translation, performance, writing for stage and screen, writing Nature, and cross-genre writing, are pursued as elective options. Students also choose one track that focuses an intensive research project in their third semester from among these categories: craft, creative collaboration, literary theory, publishing, social justice/community service, and teaching/pedagogy. Stonecoast is one of only two graduate creative writing programs in the country offering a degree in popular fiction. It is accredited through the New England Association of Schools and Colleges (NEASC).
The Stonecoast MFA program is a low-residency program. Ten-day residencies for students, faculty, and visiting writers are held each January and June. Each semester, a group of ten students also goes to Ireland for a smaller residency. Residencies involve an intensive schedule of workshops, classes, readings, and gatherings. The rest of a student's academic work during the two-year program is pursued on a one-on-one basis under the leadership of a faculty mentor.
Founded in 2002 by Barbara Lee Hope, Ken Rosen, and Dianne Benedict, Stonecoast came to national prominence under the direction of poet Annie Finch who served as Director from 2004 to 2013. Stonecoast is one of the oldest and best-known of the second wave of low-residency graduate programs in creative writing, following on the first wave of the Warren Wilson, Goddard, and Bennington graduate programs. Stonecoast departed from its predecessor programs in a number of significant ways including more flexibility in cross-genre work, more student input into mentor choice and curriculum, seminar-style classes as opposed to lectures, and more flexibility in third-semester projects. The program received coverage in The Atlantic Monthly feature on MFA programs focusing in particular on its Ireland residency and popular fiction component. Other innovative curricular features include a foundation workshop in poetic meter for incoming poets and student-initiated elective workshops on special topics in writing.