Steve Bloom (born 1953, Johannesburg, South Africa) is a photographer and writer.
Son of South African journalist, novelist, and political activist Harry Bloom, he is best known for his photography books and essays as well as his large scale outdoor exhibitions called Spirit of the Wild.
Bloom's early interest in photography was inspired by the pictures in Life Magazine. In 1972 he trained as a gravure printer, and took portraits of people living under the Apartheid system. In 1977 he travelled to England where some of the pictures were published and exhibited internationally by The International Defence and Aid Fund.
For several years he worked in graphic arts, and in 1999 was jointly responsible for the implementation of the Addison designs for the official posters for the summer Olympic Games in Barcelona, 1992.
Bloom began to photograph wildlife in 1993 while on vacation in South Africa. In 1996 he devoted all his time to wildlife photography and spent the following two years working on his first book, In Praise of Primates, which was published in ten languages. In 2004 Untamed, an oversize book that features animals from all the world's continents, was published in ten language editions for its first printing, and in 2006 he published two monographs: Elephant! and Spirit of the Wild.
In 2006 he returned to photographing people. Living Africa, published in 2008, is a body of photographs covering several African countries, mixing photographs of wildlife, remote tribal groups and people in cities, including gold miners 3 km underground. Bloom's second book on Africa, Trading Places – The Merchants of Nairobi, features subsistence shopkeepers in the suburbs of Nairobi, including Kibera. He has also published several children's books including My Big Cats Journal (Thames & Hudson), My Favourite Animal Families (Thames & Hudson) and Les animaux racontés aux enfants (Editions de la Martinière Jeunesse).
By 2010, Steve Bloom had produced eleven city centre outdoor exhibitions called Spirit of the Wild, each consisting of up to 100 large format weather-sealed prints. Free and usually open to the public 24 hours a day, the theme of the exhibitions was to engender awareness of habitat encroachment and global warming. The inaugural exhibition, in Birmingham, England, ran for eleven months in Centenary Square. Further exhibitions followed in Copenhagen, Leeds, Amsterdam, Stockholm, Moscow, Dublin, Oslo, Stavanger, Barcelona, Edinburgh, Tokyo and Abbeville. The Copenhagen exhibition opened on 16 May 2006 and was visited by 1,019,028 people during the first three months.