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Stay As You Are

Stay as You Are
Stay As You Are poster.jpg
US theatrical release poster
Directed by Alberto Lattuada
Produced by Giovanni Bertolucci
Screenplay by Alberto Lattuada
Enrico Oldoini
Story by Enrico Oldoini
Paolo Cavara
Starring Nastassja Kinski
Marcello Mastroianni
Barbara De Rossi
Ania Pieroni
Music by Ennio Morricone
Cinematography José Luis Alcaine
Distributed by New Line Cinema (United States)
Columbia Pictures (Internationally)
Release date
  • 14 September 1978 (1978-09-14) (Italy)
  • 21 December 1979 (1979-12-21) (United States)
Running time
95 minutes
Country Italy
Spain
Language Italian

Stay as You Are (Italian: Così come sei), also known as Stay the Way You Are, is a 1978 Italian–Spanish erotic drama film, directed by Alberto Lattuada, starring Nastassja Kinski, Marcello Mastroianni, Barbara De Rossi and Ania Pieroni. It follows the May–December romance between a vivacious young coed and a middle-aged professional who is unhappy in his marriage.

New Line Cinema gave the film a limited theatrical release in the United States on 21 December 1979. The film was scheduled for release by Cult Epics in May 2015 on DVD and Blu-ray.

While in Florence on business, Roman landscape architect Giulio Marengo meets an alluring college student, Francesca, and spends the night with her. She is the foster daughter of an agriculturist named Bartolo who has looked after her since the death of her mother, Flora. Later, a friend of Giulio's sees Franscesca in a restaurant and implies that she might be Giulio's daughter. It is a possibility since Giulio had been going out with Flora the year before Francesca was born. Shocked by the idea, Giulio tries to cool his relationship with Francesca. Meanwhile, he is distracted by the revelation that his unmarried daughter Alexandra, who is about the same age as Francesca, is pregnant.

Giulio tries without success to get to the truth of his alleged paternity, and finally decides to tell Francesca the reason for his conflicting behavior. She flatly dismisses the insinuation, however, saying she regards Bartolo as her only true father. She then accompanies Giulio on an uninhibited holiday in Madrid, where Alexandra has gone to try and sort things out with her lover. Upon returning to Florence, Giulio must get back to Rome to attend to his business affairs. But that night Francesca insists they see the movie Vampyr together and he falls asleep. Upon waking up, she is nowhere to be seen, indicating that their love affair has run its course.

With Stay as You Are, I dropped the grotesque style that had characterized my last film. I went back to the spirit of Guendalina and Sweet Deceptions, of which Stay as You Are is the ideal sequel.


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