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Statue of Judgement

Judge Dredd
Dredd Apocalypse War.jpg
Publication information
Publisher Former
IPC Media (Fleetway)
Current
Rebellion Developments
First appearance 2000 AD no. 2 (5 March 1977)
Created by John Wagner (writer)
Carlos Ezquerra (artist)
Pat Mills (editor)
In-story information
Full name Joseph Dredd
Team affiliations Mega-City One Justice Department
Academy of Law
Luna 1 Justice Department
Notable aliases The Dead Man
Abilities Excellent marksman
Expert in unarmed combat
Bionic eyes grant 20/20 night vision and reduced blinking rate

Judge Joseph Dredd is a fictional character who appears in British comic books published by Rebellion Developments, as well as in a number of movie and video game adaptations. He was created by writer John Wagner and artist Carlos Ezquerra, and first appeared in the second issue of 2000 AD (1977), a weekly science-fiction anthology comic. He is the magazine's longest-running character.

Joseph Dredd is a law enforcement and judicial officer in the dystopian future city of Mega-City One, which covers most of the east coast of in North America. He is a "street judge", empowered to summarily arrest, convict, sentence, and execute criminals.

In Great Britain, the character of Dredd and his name are sometimes invoked in discussions of police states, authoritarianism, and the rule of law.

Judge Dredd made his live action debut in 1995 in Judge Dredd, portrayed by Sylvester Stallone. Later he was portrayed by Karl Urban in 2012 reboot Dredd.

When comics editor Pat Mills was developing 2000 AD in 1976, he brought in his former writing partner, John Wagner, to develop characters. Wagner had written a Dirty Harry-style "tough cop" story, "One-Eyed Jack," for Valiant, and suggested a character who took that concept to its logical extreme. Mills had developed a horror strip called Judge Dread (after the British ska and reggae artist Alexander Minto Hughes ) but abandoned the idea as unsuitable for the new comic; but the name, with the spelling modified to "Dredd" at the suggestion of sub-editor Kelvin Gosnell, was adopted by Wagner.


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