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Starlight (Matt Cardle song)

"Starlight"
StarlightMattCardle.jpg
Single by Matt Cardle
from the album Letters
Released 4 December 2011 (2011-12-04)
Format Digital download, CD single
Recorded 2010–2011
Genre Indie Pop
Length 4:18
Label Syco Music
Writer(s) Matt Cardle, Ash Howes, Richard Stannard, Seton Daunt
Producer(s) Richard 'Biff' Stannard
Matt Cardle singles chronology
"Run for Your Life"
(2011)
"Starlight"
(2011)
"Amazing"
(2012)

"Starlight" is a song by British singer-songwriter Matt Cardle. It was written by Matt Cardle, Ash Howes, Richard Stannard and Seton Daunt. It was released in the UK as the second single from his debut studio album, Letters on 4 December 2011.

The song was co-written between Matt Cardle, Ash Howes, producer Richard Stannard and mixer Seton Daunt. It was one of the first songs that Cardle wrote for the album. Despite expressing his wishes at releasing "Starlight" as the album's single, its release was postponed in favour of "Run for Your Life". The single eventually received an official release on 4 December 2011. The only digital format of the single, a two-track remix bundle, managed to peak at number 2 on the UK Club Singles Chart, however the official single only entered the UK Singles Chart at number 185. The single failed to chart on the Irish Singles Chart.

Lewis Corner of Digital Spy gave the song a positive review stating: "Luckily for Cardle, it's infinitely better than his Take That reject last effort. "It wouldn't matter if we died tonight/ We are beautiful," he proclaims over a rousing combo of weighty beats and soaring guitar riffs breezier than the top of the Blackpool tower, before unleashing his impressive vocal talents on the chorus. The result is easily his strongest offering to date, so fingers crossed it's not all in vain." 4/5 stars The Mirror was also favourable, saying "Like a phoenix from the ashes, perhaps it’s not quite over yet for Matt Cardle.". Unreality Shout said "There’s an pleasant enough production at work here, with meaty guitars backed up by a thumping piano chime, and there’s an almost tangible sense of optimistic anticipation for the chorus. When the chorus arrives, the tightly rounded verse structure is thrown up into the air with the arrival of raucous guitars and a soaring vocal from Cardle, but he takes his time getting the stride right."


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