Spunk | |
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Demo album (bootleg) by Sex Pistols | |
Released | September or October 1977 |
Recorded | 13–30 July 1976, 10–12 October 1976, 17–28 January 1977 |
Genre | Punk rock |
Length | 40:56 |
Label | Blank |
Producer | Dave Goodman |
Professional ratings | |
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Review scores | |
Source | Rating |
Pitchfork Media | (3.8/10) |
Spunk is a bootleg demo album by the English punk rock band The Sex Pistols. It was originally released in the United Kingdom during September or October 1977.
The album comprises studio demos and talking recorded with Dave Goodman during 1976 and early 1977, while original bass player Glen Matlock was still a member of the band. Most of the songs would later be re-recorded and officially released on the group's album, Never Mind the Bollocks, Here's the Sex Pistols.
Several parties, including some journalists in the British music press, immediately suspected that the band's manager, Malcolm McLaren, was responsible for the original Spunk bootleg. This would have been in breach of the band's record contract with Virgin, which was readying the release of Never Mind the Bollocks when Spunk appeared. An October 1977 Sounds article by Chas de Whalley discussed Spunk and made reference to this conveniently coincidental timing. In the Sounds article, Chas de Whalley makes reference to buying a copy in a record store on the Portobello Road. It was in fact a tiny little record store (ACME Records) in the back of the now famous ACME Attractions. The shop assistant who dealt with de Whalley, identified in his article simply as "The Punk," was Doug McArthur, bassist for Killerhertz and Kid Rogers and the Henchmen. McArthur maintained the bootleg was a better quality record and claims to have sold many copies through that little record store.
The evidence for McLaren's involvement is speculative, although it can be noted that his company, Glitterbest, retained the rights to the demo recordings as well as the master tapes – and the demos appearing on Spunk were presented in excellent quality. Also, as evidenced by the original album's "LYN-" matrix number prefix, the record had clearly been pressed in the UK by Lyntone, a legitimate independent pressing plant that would presumably not handle anything that appeared to be a bootleg, and would certainly allow the bootlegger in question to be traced if enquiries had ever been made by the genuine copyright owner. McLaren always publicly denied responsibility for Spunk, but said that he preferred it to Never Mind the Bollocks.