"Spinning Wheel" | ||||
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Single by Blood, Sweat & Tears | ||||
from the album Blood, Sweat & Tears | ||||
B-side | "More and More" | |||
Released | 1969 | |||
Format | 7" (45 rpm) | |||
Recorded | October 9, 1968 | |||
Genre | Jazz fusion, pop rock | |||
Length | 4:05 (Stereophonic album version) 3:26 (Quadraphonic album version) 2:39 (single edit) |
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Label | Columbia | |||
Writer(s) | David Clayton-Thomas | |||
Producer(s) | James William Guercio | |||
Blood, Sweat & Tears singles chronology | ||||
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"Spinning Wheel" | ||||
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Single by Peggy Lee | ||||
from the album A Natural Woman | ||||
B-side | "Lean on Me" | |||
Released | March 1969 | |||
Format | 7" (45 rpm) | |||
Genre | Jazz fusion, pop rock | |||
Label | Capitol | |||
Writer(s) | David Clayton-Thomas | |||
Producer(s) | Phil Wright | |||
Peggy Lee singles chronology | ||||
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"Spinning Wheel" is the title of a song from 1969 by the band Blood, Sweat & Tears. The song was written by the band's Canadian lead vocalist David Clayton-Thomas and appears on their self-titled album.
Released as a single in 1969, "Spinning Wheel" peaked at number two on the Billboard Hot 100 chart in July of that year, remaining in the runner-up position for three weeks. In August of that year, the song topped the Billboard easy listening chart for two weeks. It was also a crossover hit, reaching #45 on the US R&B chart.
"Spinning Wheel" was nominated for three Grammy Awards at the 1970 ceremony, winning in the category Best Instrumental Arrangement. The arranger for the song was the band's saxophonist, Fred Lipsius. It was nominated for Record of the Year and Song of the Year; the album won the Grammy for Album of the Year.
Clayton-Thomas was quoted as describing the song as being "written in an age when psychedelic imagery was all over lyrics...it was my way of saying, 'Don't get too caught up, because everything comes full circle'."
The song ends with the 1815 Austrian tune "O Du Lieber Augustin" ("The More We Get Together" or "Did You Ever See a Lassie?") and drummer Bobby Colomby's comment: "That wasn't too good", followed by laughter from the rest of the group. According to producer James William Guercio this section was added in at the last minute after the end of the master tape was recorded over accidentally by an engineer at the studio. Most of this section and the trumpet solo were edited out for the single version. The eight-bar piano solo which precedes the trumpet solo on the album version is overlapped with guitar on the single version before the last verse. Alan Rubin sat in on trumpet for Chuck Winfield, who wasn't able to attend the song's recording session.