Speech & Debate (play)

Speech & Debate is a play written by Stephen Karam. The play concerns three misfit teenagers who live in Salem, Oregon.

Speech & Debate opened Off-Broadway at Roundabout Underground on October 2007 and ran through February 28, 2008 in a Roundabout Theater Company production. Directed by Jason Moore, the cast featured Gideon Glick (Howie), Sarah Steele (Diwata), Jason Fuchs (Solomon) and Susan Blackwell (Teacher/Reporter).

The play was originally performed as a workshop production at Brown/Trinity Playwrights Repertory Theatre in Providence, Rhode Island in July 2006. It was directed by Lowry Marshall.

Speech & Debate was produced at the American Theater Company, Chicago, in May to June 2013, directed by PJ Paparelli.Speech & Debate had its Midwest premiere at the American Theater Company, running from April 16, 2008 to May 11, 2008, also directed by Paparelli.

The play has its UK premiere at the Trafalgar Studios, Westminster, running from 24 February 2017 to 1 April. Directed by Tom Attenborough, the cast features Douglas Booth (Howie), Tony Revolori (Solomon), Patsy Ferran (Diwata) and Charlotte Lucas (Teacher/Reporter).

Karam said that he "specifically aimed to create characters who 'push through their pain... I think that’s what we do in our lives. [We] try to find some laughs and love.”

The play, a dark comedy with music, concerns three misfit teenagers and their attempts to expose a drama teacher who preys on teen boys. Solomon is a reporter for the school newspaper, Howie is a gay teen, who is solicited by the school's drama teacher on the internet, and Diwata is an aspiring actress/singer, but with no talent.

They decide to perform a musical version of Arthur Miller's The Crucible, combined with time travel and a young Abraham Lincoln, to address the issue of gay adults at the school.

The New York Times reviewer wrote: "Stephen Karam’s dark comedy seems to be about a frumpy girl, a nerdy guy and an openly gay guy who band together to disclose the truth about a teacher who preys on his male students. But that topical plot is almost window dressing. The play’s real accomplishment is its picture of the borderland between late adolescence and adulthood, where grown-up ideas and ambition coexist with childish will and bravado." The Variety reviewer wrote: "...the conflicts explode in consistently intriguing ways. And Karam uses both the advantages and perils of cyberspace to make amusing, original points."

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