Soviet culture

The culture of the Soviet Union passed through several stages during the Soviet Union's 69-year existence. It was contributed to by people of various nationalities from every single one of fifteen union republics, although a slight majority of them were Russians. The Soviet state supported cultural institutions, but also carried out strict censorship.

The main feature of communist attitudes towards the arts and artists in the years 1918-1929 was relative freedom, with significant experimentation in several different styles in an effort to find a distinctive Soviet style of art. In many respects, the NEP period was a time of relative freedom and experimentation for the social and cultural life of the Soviet Union. The government tolerated a variety of trends in these fields, provided they were not overtly hostile to the regime. In art and literature, numerous schools, some traditional and others radically experimental, proliferated. Communist writers Maxim Gorky and Vladimir Mayakovsky were active during this time, but other authors, many of whose works were later repressed, published work lacking socialist political content. Film, as a means of influencing a largely illiterate society, received encouragement from the state; much of cinematographer Sergei Eisenstein's best work dates from this period.

Education, under Commissar Anatoliy Lunacharskiy, entered a phase of experimentation based on progressive theories of learning. At the same time, the state expanded the primary and secondary school system, and introduced night schools for working adults. The quality of higher education was affected by admissions policies that preferred entrants from the proletarian class over those from bourgeois backgrounds, regardless of the applicants' qualifications..

Under NEP, the state eased its active persecution of religion begun during war communism but continued to agitate on behalf of atheism. The party supported the Living Church reform movement within the Russian Orthodox Church in hopes that it would undermine faith in the church, but the movement died out in the late-1920s.

In family life, attitudes generally became more permissive. The state legalised abortion, and it made divorce progressively easier to obtain, whilst public cafeterias proliferated at the expense of private family kitchens.

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