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C
If thou survive my well-contented day,
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover,
Compare them with the bettering of the time,
And though they be outstripp’d by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
“Had my friend’s Muse grown with this growing age,
A dearer birth than this his love had brought,
To march in ranks of better equipage:
But since he died, and poets better prove,
Theirs for their style I’ll read, his for his love.”
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Sonnet 32 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The writer is reflecting on a future in which the young man will probably outlive him. The writer takes a melancholy tone, telling the young man to remember the writer not because of the strength of the sonnets, but because the love that has been shown to the young man far surpasses any love shown by another poet.
Shakespeare's sonnets are typically classified in reference to speaker and subject. Sonnet 32 is commonly accepted as a "handsome youth" sonnet. This classification as a handsome youth sonnet is significant as it characterizes both the speaker and the subject within the sonnet: the speaker, as a man displaying his affection for the subject who is a young, handsome man.
The identity of the speaker is a well debated topic however. Some believe that the speaker is merely a character that Shakespeare has created as an expression of art. However, the speaker is often thought to be Shakespeare himself, thus giving the content of the sonnet a much more personal sentiment. Some depict the voice of the speaker merely as a "construct[ed]" character by the author to "generate…reader interest, sympathy, and involvement that deserve closer attention". Thus the speaker is not a reflection of the author but instead an authorial tool to evoke interest from the reader.
In contrast, some critics believe that Shakespeare's sonnets are "autobiograph[ical]" and that the two characters within the sonnet are Shakespeare and an unidentified male object of lust or affection.