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Sonnet 14

Sonnet 14
Detail of old-spelling text
The first twelve lines of Sonnet 14 in the 1609 Quarto
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Q1



Q2



Q3



C

Not from the stars do I my judgement pluck;
And yet methinks I have astronomy,
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons’ quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind,
Or say with princes if it shall go well,
By oft predict that I in heaven find:
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As “truth and beauty shall together thrive,
If from thyself to store thou wouldst convert”;
Or else of thee this I prognosticate:
“Thy end is truth’s and beauty’s doom and date.”




4



8



12

14

—William Shakespeare

Q1



Q2



Q3



C

Not from the stars do I my judgement pluck;
And yet methinks I have astronomy,
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons’ quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain and wind,
Or say with princes if it shall go well,
By oft predict that I in heaven find:
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art
As “truth and beauty shall together thrive,
If from thyself to store thou wouldst convert”;
Or else of thee this I prognosticate:
“Thy end is truth’s and beauty’s doom and date.”




4



8



12

14

Sonnet 14 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.

Sonnet 14 is an English or Shakespearean sonnet, which consists of three quatrains followed by a couplet. It follows the traditional rhyme scheme of the form: abab cdcd efef gg. Like many of the others in the sequence, it is written in a type of metre called iambic pentameter, which is based on five pairs of metrically weak/strong syllabic positions per line.

Typically English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. This sonnet suggests this pattern, but its rhetorical structure is more closely modeled upon the older Petrarchan sonnet which arranges the octave (the first eight lines) in contrast to the sestet (the final six lines).

Line 3 exemplifies a regular iambic pentameter:

Some critics argue that the Fair Youth sequence follows a story-line told by Shakespeare. Evidence that corroborates this is that the sonnets show a constant change of attitude that would seem to follow a day-by-day private journal entry. Furthermore, there is an argument that the Fair Youth sequence was written to Henry Wriothesley, 3rd Earl of Southampton. Critics believe that Shakespeare would like him to marry and have an heir so that his beauty would live forever. The historical timeline of the procreation sonnets directly relates to William Cecil Lord Burghley and the pressure he put on Southamptom to marry his granddaughter Lady Elizabeth Vere (daughter of Edward de Vere). To this day the relationship between Henry Wriothesly and Shakespeare is debated due to the fact that some believe it was romantic in nature, and not platonic. Regardless most critics agree that Shakespeare wrote this sonnet in order to convince him to produce an heir.


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