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Sonnet 10

Sonnet 10
Detail of old-spelling text
Sonnet 10 in the 1609 Quarto
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For shame, deny that thou bear’st love to any,
Who for thyself art so unprovident.
Grant, if thou wilt, thou art belov’d of many,
But that thou none lov’st is most evident;
For thou art so possess’d with murderous hate
That ’gainst thyself thou stick’st not to conspire,
Seeking that beauteous roof to ruinate
Which to repair should be thy chief desire.
O, change thy thought, that I may change my mind!
Shall hate be fairer lodg’d than gentle love?
Be, as thy presence is, gracious and kind,
Or to thyself at least kind-hearted prove:
Make thee another self, for love of me,
That beauty still may live in thine or thee.




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—William Shakespeare

Q1



Q2



Q3



C

For shame, deny that thou bear’st love to any,
Who for thyself art so unprovident.
Grant, if thou wilt, thou art belov’d of many,
But that thou none lov’st is most evident;
For thou art so possess’d with murderous hate
That ’gainst thyself thou stick’st not to conspire,
Seeking that beauteous roof to ruinate
Which to repair should be thy chief desire.
O, change thy thought, that I may change my mind!
Shall hate be fairer lodg’d than gentle love?
Be, as thy presence is, gracious and kind,
Or to thyself at least kind-hearted prove:
Make thee another self, for love of me,
That beauty still may live in thine or thee.




4



8



12

14

Sonnet 10 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence.

In the sonnet, Shakespeare uses a rather harsh tone to admonish the young man for his refusal to fall in love and have children. It also continues and amplifies the theme of "hatred against the world" which appears rather suddenly in the last couplet of Sonnet 9. The two sonnets may be said therefore to be linked (like Sonnets 5 and 6 or Sonnets 15 and 16) even though the linkage takes a different form.

Sonnet 10 is a typical English or Shakespearean sonnet. The English sonnet consists of three quatrains followed by a couplet, and follows the typical rhyme scheme of the form: abab cdcd efef gg. It is written in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions per line. Line ten exemplifies a regular iambic pentameter line:


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