Song X
| Song X | ||||
|---|---|---|---|---|
 |
||||
| Studio album by Pat Metheny and Ornette Coleman | ||||
| Released | June 1986 | |||
| Recorded | December 12–14, 1985 | |||
| Studio | The Power Station, New York City | |||
| Genre | Free jazz | |||
| Length | 48:39 | |||
| Label | Geffen | |||
| Producer | Pat Metheny | |||
| Pat Metheny chronology | ||||
|
||||
| Ornette Coleman chronology | ||||
|
||||
| Alternate cover | ||||
20th anniversary edition cover
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic |    |
| Blender | |
| Down Beat | |
| Entertainment Weekly | A– |
| The Guardian | |
| Mojo | |
| The Penguin Guide to Jazz | |
| The Rolling Stone Album Guide | |
| The Village Voice | A |
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records.
The album features mutual Metheny/Coleman collaborator Charlie Haden on bass, Jack DeJohnette on drums, and Coleman's son Denardo on various percussion instruments. It was recorded at The Power Station in New York City between December 12 and December 14, 1985. A remixed and remastered version was issued on CD in August 2005, titled Song X: Twentieth Anniversary. Six unreleased tracks were added prior to the original eight songs.
In a contemporary review for The Village Voice, Robert Christgau felt Metheny's mild mannered style of jazz kept the music uncluttered, calling Song X Coleman's best album of unadulterated jazz since the early 1970s: "No rock moves, and no funk, harmolodic or otherwise—it's all sweet lyricism, sonic comedy, and headlong invention."Down Beat magazine deemed it "a remarkable union of the true and the new, a fusion of the bedrock human sound of Ornette's alto with the sometimes jarring, mostly bracing electronic capabilities of Pat's guitar-synth".Jon Pareles wrote in The New York Times that the experiment succeeded because both artists were masterful melodists, finding the record "less tangled and more directly songful than Mr. Coleman's recent albums with Prime Time".Song X was voted the nineteenth best album of 1986 in The Village Voice's annual Pazz & Jop critics poll.
In The Penguin Guide to Jazz (2004), Richard Cook and Brian Morton said the more adventurous recordings on Song X showcased the jubilant playing between Coleman and Metheny, who not only "powered his way through Coleman's itinerary with utter conviction, he set up opportunities for the saxophonist to resolve and created a fusion with which Coleman's often impenetrable Prime Time bands had failed to come to terms." In a review of the album's 2005 reissue, Christgau wrote in Blender that all six bonus tracks were "strong enough to justify kicking off with them, and the perfect warm-up to an album Metheny was right to construct exactly as he did." In his list for 2005 Pazz & Jop poll, he named its twentieth anniversary edition the sixteenth best album of the year.
...
Wikipedia