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Some Girls Are Bigger Than Others

"Some Girls Are Bigger Than Others"
Single by The Smiths
from the album The Queen Is Dead
Released June 1986
Format 7-inch, 12-inch
Recorded October–November 1985 at Jacobs Studios, Farnham
Genre Alternative rock, jangle pop
Length 3:16
Label Rough Trade
Writer(s) Morrissey, Johnny Marr
Producer(s) Morrissey & Marr
The Smiths singles chronology
"Bigmouth Strikes Again"
(1986)
"Some Girls Are Bigger Than Others"
(1986)
"Panic"
(1986)

"Some Girls Are Bigger Than Others" is a song by The Smiths, recorded in autumn 1985 and first released on their 1986 album The Queen Is Dead. It was also released as a single in Germany.

As with every original Smiths recording, the music of "Some Girls" was composed by Johnny Marr and the lyrics were written by Morrissey. The recording was given a distinctive intro by engineer Stephen Street, who increased the reverb on the drums, faded the track in then out again, and took the reverb back off when reintroducing the song: "A bit like opening a door, closing it, then opening it again and walking in". The lyric paraphrases Johnny Tillotson's 1962 single "Send Me the Pillow That You Dream On", and broadly references the 1964 comedy Carry On Cleo ("Oooh, I say").

"Some Girls Are Bigger Than Others" was played live only once, at the final concert by The Smiths, at Brixton Academy, London, on 12 December 1986. The performance, which included a verse not used in the studio version, was recorded and later featured as a B-side on the 12-inch and cassette edition of the "I Started Something I Couldn't Finish" single in November 1987.

Amateur footage of the entire concert has since appeared online.

In the mainstream British music press, "Some Girls Are Bigger Than Others" was mentioned in the context of The Queen Is Dead. In the NME, Adrian Thrills wrote, "As an album with humour never far from its surface, it is fitting that The Queen Is Dead should conclude with the clipped, undulating frivolity of 'Some Girls Are Bigger Than Others', a hypnotic musical travelogue that verges on the transcendental[...] Again, the Morrissey muse and Marr's musical setting collide marvellously, the track illuminated by some lovely slide guitar from the latter. It would have made another classic Smiths single".


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