Solefald | |
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Origin | Norway |
Genres |
Avant-garde metal Black metal Post-metal Industrial metal |
Years active | 1995–present |
Labels |
Indie Recordings Season of Mist Century Media Avantgarde Music |
Associated acts |
In Vain Ásmegin Age Of Silence Böh Borknagar Carpathian Forest Darling Divine G.U.T. Grail Sturmgeist Vintersorg Winds |
Website | http://www.solefald.no |
Members |
Cornelius Jakhelln Lazare Nedland |
Solefald is a Norwegian avant-garde metal/black metal band that was formed by members Lars Are "Lazare" Nedland and Cornelius Jakhelln in August 1995, with Lars singing and playing keyboard/synthesizer/piano and drums, and Cornelius singing and playing guitar and bass. The meaning of the band's name is best explained in an interview from Century Media Records website. Lazare states "Solefald is an old Norse word for sunset. We 'stole' it from a painting by the Norwegian artist Theodor Kittelsen. His two paintings 'Soleglad' and 'Solefald' portrays the cycle of being, and we found it to be a very fitting idea for our band." Cornelius also states "'Solefald' means literally 'the fall of the sun', or just 'sunset'; the way we spell it is Danish, from the 19th century."
Their first official rehearsal together was in 1995 with the song "When The Moon Is On The Wave." They released their first, 5 song demo, entitled Jernlov (translated to Iron Law in English), in 1996. Jernlov was the band's most traditional black metal release, but the band had an experimental edge, incorporating Lazare's clean vocals and piano passages into the black metal formula. They were one of the first bands in the black metal genre to incorporate new elements into the style, including a bag pipe passage in one song.
The band was signed by the Milanese record label, Avantgarde Music, in 1996. In July 1997, the band released a follow-up to their demo. This first full-length release was called, The Linear Scaffold. The album was an expansion of the style on the demo. The album had a better recording quality, and contained 8 songs, two of which had previously been on the demo, but were now re-written and re-recorded. The band incorporated sounds and techniques that had never been heard in black metal before, using hand claps along with choruses in the song "Philosophical Revolt", jazzy clean guitar passages, and shrieked vocals over piano pieces. The album also featured vocals in English and Norwegian. When this album was released, the band coined the term "Red Music With Black Edges" to define themselves.