Social dancing

Social dance is that category of dances that have a social function and context. Social dances are generally intended for participation rather than performance and can be led and followed with relative ease. They are often danced merely to socialise and for entertainment, though they may have ceremonial, competitive and erotic functions.

Many social dances of European origin are partner dances (see Ballroom dance) but this is quite rare elsewhere, where there may be instead be circle dances or line dances, perhaps reserved for those of a certain age, sex or social position.

The types of dance performed in social gatherings change with social values. Social dance music of the 14th century has been preserved in manuscript, though without proper choreography, for dances such as the ballo, carol, stampita, saltarello, trotto and roto. The 15th century is the first period from which written records of dances exist. A manuscript from Brussels highlights the Burgundian court dance, which spread all over Europe, referred to as the basse dance in which a large group perform a series of steps in triple time. Italian courts danced balli, with a wide array of choreographed rhythms, steps and positions for the dancers. These were documented in instruction books written by the highly respected dance masters who choreographed them for the courts.

Social dances of lower classes were not recorded until the Late Renaissance. According to Richard Powers, courtiers in the late 16th century continually had to "prove themselves through their social skills, especially through dance." Recorded social dances of the late 16th century include the pavane and the canario. Thoinot Arbeau's famous book Orchésographie describes peasant branles as well as the 16th century basse danse and la volta. The peasants of the countryside supplied new dances to the court as the old ones' novelty wore out.

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