So Long, Scarecrow

So Long, Scarecrow
Studio album by Scarling.
Released	August 23, 2005
Recorded	Winter 2004-2005
Genre	Noise pop Gothic rock Shoegaze
Length	52:32
Label	Sympathy for the Record Industry SFTRI 758 CD
Producer	Rob Campanella, Christian Hejnal
Scarling. chronology
Scarling. / The Willowz (2005) So Long, Scarecrow (2005) Staring to the Sun (2006)
Alternative cover
Sympathy For The Record Industry vinyl edition cover by Mark Ryden

Professional ratings
Review scores
Source	Rating
Allmusic	link
Alternative Press	link
Filter Magazine	85% link
Bust (magazine)	Favourable link
Spin	Favourable link
ROCKRGRL	Favourable link
Scene Point Blank.com	Favourable link
Venus Magazine	Favourable

So Long, Scarecrow is the second album by the rock band Scarling. Written and recorded in early 2005, and released on October 25, 2005, it is the first Scarling. album to feature drummer Beth Gordon. Its title is a reference to The Wizard of Oz: in lead vocalist Jessicka's view, the film's Scarecrow is a metaphor for the band itself; the character's initial lack of and search for a brain, she explains, parallels Scarling.'s search for new territory in a predictable and monotonous musical environment.

Nearly twice as long as the band's debut, Sweet Heart Dealer, So Long, Scarecrow differs from its predecessor not only in length but also in terms of musical atmosphere. This is largely due to the switch in producers between the two albums — from former Nine Inch Nails member Chris Vrenna, whose abrasive, industrial-style production appeared on Sweet Heart Dealer; to Rob Campanella, of the psychedelic rock group The Brian Jonestown Massacre, and Scarling. guitarist Christian Hejnal, himself influenced by noise rock and No Wave. The album was recorded at Campanella's studio, the Committee to Keep Music Evil Headquarters/Figment Sounds.

Scarecrow received several favorable reviews: Alternative Press gave the album a 5 out of 5 rating and described Hejnal as a "guitar physicist who holds court over these atmospheric rockers’ second album, approximating everything from space-station climates to sperm whales rollin’ on E, all while delivering solid songs."The Independent noted “Scarling. work up a wonderfully hazy guitar swirl, reminiscent of post-My Bloody Valentine noise-pop from the Britain of the early nineties.” and Bust described the album as "the musical equivalent of an Edward Gorey illustration: ominous and shadowy, but not without a certain sense of morbid joy. Sly lyrics and sarcastic insights pepper Scarecrow’s dystopian soundscape, proving that Scarling has picked up more than just wardrobe inspiration from vets like the Cure." While Jon Wiederhorn said,"guitarist Christian Hejnal, Scarling provide the much-needed element of violence and sexuality other modern shoegazers lack."