Slow cinema

Slow cinema is a genre of art cinema film-making that emphasizes long takes, and is often minimalist, observational, and with little or no narrative. It is sometimes called "contemplative cinema".

Progenitors of the genre include Andrei Tarkovsky, Ingmar Bergman, Robert Bresson, Michelangelo Antonioni, Aleksandr Sokurov, Béla Tarr, Chantal Akerman and Theo Angelopoulos. Tarkovsky argued that "I think that what a person normally goes to cinema for is time". Greek director Theo Angelopoulos has been described as an "icon of the so-called Slow Cinema movement". Contemporary Contemplative Cinema directors are Pedro Costa, Lav Diaz, Tsai Ming-liang, Sharunas Bartas, Apichatpong Weerasethakul and Carlos Reygadas. Examples include Ben Rivers' Two Years at Sea, Michelangelo Frammartino's Le Quattro Volte, and Shaun Wilson's film 51 Paintings.

Sight & Sound noted of the definition of slow cinema that "The length of a shot, on which much of the debate revolves, is a quite abstract measure if divorced from what takes place within it".The Guardian contrasted the long takes of the genre with the two-second average shot length in Hollywood action movies, and noted that "they opt for ambient noises or field recordings rather than bombastic sound design, embrace subdued visual schemes that require the viewer's eye to do more work, and evoke a sense of mystery that springs from the landscapes and local customs they depict more than it does from generic convention." The genre has been described as an "act of organized resistance" similar to the Slow food movement.

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