Slip It In
| Slip It In | ||||
|---|---|---|---|---|
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| Studio album by Black Flag | ||||
| Released | December 1984 | |||
| Recorded | June 1984 | |||
| Studio | Total Access Recording, Redondo Beach, California | |||
| Genre | Hardcore punk | |||
| Length | 38:37 | |||
| Label | SST | |||
| Producer | Greg Ginn, Spot, Bill Stevenson | |||
| Black Flag chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Punknews | |
| Robert Christgau | (C+) |
Slip It In is the fourth studio album by the American hardcore punk band Black Flag, released in 1984 on SST Records.
Slip It In is an extension of the sound Black Flag utilized on its second album My War: heavy, cathartic, intense, dense and progressive. At this point, Black Flag was considered by many to be one of the leading bands of the American punk scene. The album pursued the newer, lengthier song arrangements that Black Flag would develop until its demise. It also features Henry Rollins' further development as a songwriter, contributing four of eight tracks on the album. This album also demonstrates Black Flag’s increasing use of instrumentals, where Greg Ginn demonstrates his increasingly more complex playing style.
Slip It In was recorded on a brief break on the continuous tour for My War, My War saw Black Flag at their most ambitious. This year they would release three full-length albums, and toured nearly constantly, with Rollins noting 178 performances for the year, and about that many for 1985. With Dukowski gone, Ginn ceded much of the spotlight to Rollins, who had expressed some discomfort over being the group's de facto spokesman, while Ginn was the recognized leader (Ginn wrote the majority of the group's songs and lyrics).
In many ways, Slip It In is a fusion of the styles utilized on their previous releases (with vocals), Damaged and My War. The songs are inspired by heavy metal, yet the material also shows traces of free jazz, punk rock and, particularly on the track "My Ghetto", even contains traces of a musical style that would later become known as Powerviolence. At the middle point of the album, there is an instrumental track called "Obliteration" which highlights Ginn's chord progressions where Brandon Sideleau of Punknews.org claims that it "...mashes sludge and jazz into an ominous hybrid." One critic writes that Slip It In "blurs the line between moronic punk and moronic metal". However, despite various criticisms, the album is very highly regarded in the underground music community and is often considered one of their best works.
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