*** Welcome to piglix ***

Slav Defense

Slav Defense
a b c d e f g h
8
Chessboard480.svg
a8 black rook
b8 black knight
c8 black bishop
d8 black queen
e8 black king
f8 black bishop
g8 black knight
h8 black rook
a7 black pawn
b7 black pawn
e7 black pawn
f7 black pawn
g7 black pawn
h7 black pawn
c6 black pawn
d5 black pawn
c4 white pawn
d4 white pawn
a2 white pawn
b2 white pawn
e2 white pawn
f2 white pawn
g2 white pawn
h2 white pawn
a1 white rook
b1 white knight
c1 white bishop
d1 white queen
e1 white king
f1 white bishop
g1 white knight
h1 white rook
8
7 7
6 6
5 5
4 4
3 3
2 2
1 1
a b c d e f g h
Moves 1.d4 d5 2.c4 c6
ECO D10–D19
Parent Queen's Gambit

The Slav Defense is a chess opening that begins with the moves:

The Slav is one of the primary defenses to the Queen's Gambit. Although it was analyzed as early as 1590, it was not until the 1920s that it started to be explored extensively. Many masters of Slavic descent helped develop the theory of this opening, including Alapin, Alekhine, Bogoljubov, and Vidmar.

The Slav received an exhaustive test during the two Alekhine–Euwe World Championship matches in 1935 and 1937. Played by 11 of the first 13 world champions, this defense was particularly favored by Euwe, Botvinnik, and Smyslov. More recently the Slav has been adopted by Anand, Ivanchuk, Lautier, Short, and other top grandmasters, including use in six of the eight games that Vladimir Kramnik played as Black in the 2006 World Championship (in the other two, he played the related Semi-Slav Defense).

Today the theory of the Slav is very extensive and well-developed.


There are three main variations of the Slav:

Black faces two major problems in many variations of the Queen's Gambit Declined (QGD):

The "Pure" Slav and ...a6 Slav addresses these problems. Black's queen bishop is unblocked; the pawn structure remains balanced. Also, if Black later takes the gambit pawn with ...dxc4, the support provided by the pawn on c6 (and possibly ...a6) allows ...b5 which may threaten to keep the pawn, or drive away a white piece that has captured it, gaining Black a tempo for queenside expansion. On the other hand, Black usually will not be able to develop the queen bishop without first giving up the center with ...dxc4, developing the bishop may leave the black queenside weak, and the thematic break ...c5 incurs the loss of a tempo.


...
Wikipedia

...