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Slamet Rahardjo

Slamet Rahardjo
Born Slamet Rahardjo Djarot
(1949-01-21) 21 January 1949 (age 68)
Serang, Banten, Indonesia
Nationality Indonesian
Alma mater National Indonesian Theatre Academy
Occupation Film actor and director
Years active 1971 – present
Notable work Cinta Pertama
Badai Pasti Berlalu
Di Balik Kelambu
Langitku, Rumahku
Relatives Eros Djarot (younger brother)
Awards Several Citra Awards

Slamet Rahardjo Djarot (born 21 January 1949) is an Indonesian actor, director, and screenwriter. The elder brother of director, sound producer, and politician Eros Djarot, Rahardjo has starred in dozens of films since his debut in 1971's Wadjah Seorang Laki-Laki. Since his directorial debut in 1979 with Rembulan dan Matahari, he has directed and/or written twelve films; one of which, Langitku, Rumahku, was Indonesia's submission to the 63rd Academy Awards in 1991.

Rahardjo was born in Serang, Banten, on 21 January 1949. He was the first of seven children born to Djarot Djojoprawiro, an air force officer, and Ennie Tanudiredja, a housewife interested in woodcarving. Rahardjo spent most of his childhood in Yogyakarta, where he dreamed of becoming a visual artist. However, after finishing high school at State Senior High School 2, he attended the National Indonesian Theatre Academy (Akademi Teater Nasional Indonesia, or ATNI). During his studies at ATNI, he befriended Teguh Karya. Together, the two founded the theatre group Teater Populer in 1968.

Three years later, Teater Populer, working together with Sarinade Film, produced Wadjah Seorang Laki-Laki (The Face of a Boy). Rahardjo was immediately cast in the lead role, while Karya directed the film; singer Laila Sari was cast as his love interest. Two years later, Rahardjo starred in 1973's Cinta Pertama (First Love) alongside Christine Hakim; the two would later star as romantic leads in several other films, and in 2010 were selected as the second best Indonesian cinema couple by Tabloid Bintang. After the success of Cinta Pertama, Rahardjo went on to play in 1975's Ranjang Pengantin (Wedding Bed), 1976's Perkawinan Dalam Semusim (A Season's Marriage) and 1977's Badai Pasti Berlalu (The Storm Will Surely Pass). During this period, Rahardjo would only work for Karya; he reportedly left a dinner meeting immediately after another director asked him to act in a film, later telling Tempo that it was as if the director was borrowing a tape recorder, not considering how Rahardjo would feel.


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