Sky Captain and the World of Tomorrow | |
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Theatrical release poster
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Directed by | Kerry Conran |
Produced by |
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Written by | Kerry Conran |
Starring | |
Music by | Edward Shearmur |
Cinematography | Eric Adkins |
Edited by | Sabrina Plisco |
Production
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Distributed by | Paramount Pictures |
Release date
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Running time
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106 minutes |
Country | United States |
Language |
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Budget | $70 million |
Box office | $58 million |
Sky Captain and the World of Tomorrow (Original Motion Picture Soundtrack) | |
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Soundtrack album by Edward Shearmur | |
Released | September 7, 2004 |
Genre | Soundtrack |
Label | Sony |
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Empire | |
Filmtracks | |
Movie Wave | |
ScoreNotes | |
SoundtrackNet |
Sky Captain and the World of Tomorrow is a 2004 American science fiction action-adventure film written and directed by Kerry Conran in his directorial debut, and produced by Jon Avnet, Sadie Frost, Jude Law, and Marsha Oglesby. The film stars Law, Gwyneth Paltrow, and Angelina Jolie; it is an example of the "dieselpunk" genre.
Conran spent four years making a black and white teaser with a bluescreen set up in his living room and using a Macintosh IIci. He was able to show it to Avnet, who was so impressed that he spent two years working with him on his screenplay. No major studio was interested in Sky Captain, but Avnet convinced Aurelio De Laurentiis to finance Sky Captain without a distribution deal.
Almost 100 digital artists, modelers, animators and compositors created the multi-layered 2D and 3D backgrounds for the live-action footage while the entire movie was sketched out via hand-drawn storyboards and then re-created as CGI animatics. Ten months before Conran made it, he shot it entirely with stand-ins in Los Angeles and then created it in animatics so the actors could envision it.
Despite being a box office bomb, generating $58 million for a $70 million budget, Sky Captain received largely positive reviews, and is regarded as a cult classic. It is notable as one of the first major films, along with 2004's Casshern and Immortal, and 2005's Sin City, to be shot entirely on a "digital backlot", blending actors with CGI surroundings.