Six | ||||
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Studio album by Mansun | ||||
Released | 7 September 1998 | |||
Recorded | 1998 | |||
Genre | ||||
Length | 70:37 | |||
Label | Parlophone | |||
Producer | Paul Draper, Mark Stent and Mike Hunter | |||
Mansun chronology | ||||
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Singles from Six | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | (US edition) |
AllMusic | (Japanese edition) |
Melody Maker | |
Pitchfork Media | (7.8/10) |
PopMatters | (Positive) |
Q | |
The Guardian | |
Uncut |
Six is the second album by English alternative rock band Mansun, released in September 1998 via Parlophone. It was released in the US on 20 April 1999 with an alternative running order, different artwork, and the re-recorded single version of the title track. In an interview prior to the release of Six, Paul Draper stated that the "interlude" "Witness to a Murder (Part Two)" was included to separate the album into two parts as a tribute to old-style vinyl albums.
The album's sleeve art was a painting produced by Max Schindler, and commissioned especially for the album. It contains many references to personal interests and obsessions of the band, such as a TARDIS and an image of Tom Baker as Doctor Who, and Patrick McGoohan as Number 6 (sitting in the ball chair commonly occupied by the different Number 2's), from The Prisoner. There is also a depiction of Winnie the Pooh standing close to a painting that may be a reproduction of Vinegar tasters, a Taoist allegorical painting. Guitarist Dominic Chad is known to be both a Taoist and a fan of A. A. Milne, and the album's name is in fact a reference to Milne's book Now We Are Six.
The cover art also depicts a number of (perhaps non-existent) books, including:
The inlay booklet includes enlarged images of the piles of books from the cover, making it easier to read the authors and titles.
Six was released in September 1998, it débuted at #6 on the UK Albums Chart. The album spawned four singles, each one was altered for single release. The alterations ranged from subtle to dramatic. The first single "Legacy" and the third single "Negative" were given slight trims. Conversely, "Being a Girl" was literally cut in half with the opening two-minute section labelled 'Part One' and released as a single. The title track was completely re-recorded with producer Arthur Baker and released in the winter of 1999. "Legacy" was the most successful single and reached the top ten on the UK Singles Chart. "Being a Girl (Part One)" and "Six" made the top twenty, while "Negative" peaked at #27.