Sir Thopas is one of The Canterbury Tales by Geoffrey Chaucer, published in 1387. The tale is one of two—together with The Tale of Melibee—told by the fictive Geoffrey Chaucer as he travels with the pilgrims on the journey to Canterbury Cathedral. The tale concerns the adventures of the knight "Sir Thopas" and his quest to win the elf-queen.
The tale is one of two told by the fictive Chaucer, along with the Tale of Melibee, who figures as one of the pilgrims who are on a journey to the shrine of Thomas Becket in Canterbury Cathedral. The pilgrims are involved in a story-telling contest on the behest of the Host (Middle English: Hooste), Harry Bailly, the winner of which will receive a free meal at The Tabard Inn on their return.
Sir Thopas comes after the Prioress's Tale, a poem which is exemplary of the miracle of the Virgin genre and which tells the story of a child martyr killed by Jews. Seemingly wishing to counter the sombre mood that this tale instills in the pilgrims, the Host hails Chaucer and suggests that he: "Telle us a tale of myrth, and that anon" (line 706). Chaucer admits to having no tales to tell other than a "rym [he] lerned longe agoon" (line 709), and on the acceptance of the Host proceeds to tell the "Tale of Thopas".
Chaucer's portrait of himself is unflattering and humble. He presents himself as a reticent, maladroit figure who can barely summon a tale to mind. In comparison to the other travelers in the group, Chaucer the character is reluctant to speak, but when he does tell a tale, it is a rather frivolous burlesque very different from what went before.
The poem begins with an introduction to Sir Thopas, detailing his birthplace of Flanders, describing his physical appearance and abilities in hunting. He desires the elf-queen but is waylaid by the giant Sir Olifaunt ('Elephant'). He runs back to his merry men for a feast of sweets and to ready for a battle with his giant foe. The tale is interrupted by the Host, though, for its tail rhyme format and is never finished. The tale is a parody of romances, with their knights and fairies and absurdities, and Chaucer the author satirizes not only the grandiose, Gallic romances, but also the readership of such tales.