Sir Anthony Dowell

Sir Anthony Dowell, CBE (born 16 February 1943) is a retired British ballet dancer and a former artistic director of the Royal Ballet. He is widely recognized as one of the great danseurs nobles of the twentieth century.

Born in London, Anthony James Dowell began his dance training there in 1948, at the tender age of five. His first ballet teacher was June Hampshire, who nurtured her young pupil and instilled in him the discipline necessary for serious students of ballet. When he was ten years old, he enrolled in the Sadler's Wells Ballet School, then located in Barons Court, and embarked on a course of training for young people interested in pursuing a career in dance. In 1955, the school moved to White Lodge, Richmond Park, and became residential, combining general education and vocational ballet training. In 1956, when a royal charter was granted to the Sadler's Wells Ballet, the school was renamed the Royal Ballet School. Dowell continued his training there, moving to the Barons Court studios for the final three years of his course of study. An outstanding student, blessed with a perfectly proportioned physique and a temperament compatible to the rigors of daily training, he gradually developed a classical technique remarkable for secure control, purity of line, and musical sensitivity. Upon his graduation in 1960, he was immediately taken into the Covent Garden Opera Ballet. After a year dancing with this company, he was invited to join the Royal Ballet.

Among the first to recognize Dowell's potential was the great Danish dancer Erik Bruhn. As guest choreographer with the Royal Ballet, he gave Dowell a sparkling solo variation in his 1962 staging of the famous pas de six from August Bournonville's Napoli. Thereafter, Dowell's talent and extraordinary abilities could not be ignored. In 1964, Frederick Ashton, chief choreographer of the company, chose him to create the role of Oberon in The Dream, a balletic retelling of Shakespeare's A Midsummer Night's Dream. With his quicksilver technique and impeccable line, Dowell made the role his own and established himself in the top tier of the company's male dancers. Dancing to Mendelssohn's melodic "Nocturne" with Antoinette Sibley as Titania, he took the first steps in forming what became a lasting and legendary partnership, as their slender, blond looks and classical purity found a startling echo in each other. In 1965, Dowell was cast in Ashton's elegant and serene Monotones and then as the boisterous Benvolio in Kenneth MacMillan's historic production of Romeo and Juliet.

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