Sins of Jezebel
| Sins of Jezebel | |
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Theatrical release poster
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| Directed by | Reginald Le Borg |
| Produced by | Sigmund Neufeld |
| Written by | Richard H. Landau |
| Based on |
Books of Kings Books of Chronicles |
| Starring |
Paulette Goddard George Nader Eduard Franz John Hoyt |
| Narrated by | John Hoyt |
| Music by | Bert Shefter |
| Cinematography | Gilbert Warrenton |
| Edited by | Carl Pierson |
| Distributed by | Lippert Pictures |
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Release date
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Running time
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74 minutes |
| Country | United States |
| Language | English |
| Budget | $100,000 |
Sins of Jezebel is a 1953 American historical drama film produced by Sigmund Neufeld and directed by Reginald Le Borg. It stars Paulette Goddard as Jezebel, the biblical queen of the northern kingdom of Israel during the 9th century BC. The film was shot in Ansco Color for widescreen projection.
In 9th century BC Israel, the prophet Elijah advises king Ahab not to marry Jezebel, an idolatrous princess of Phoenicia. Ahab sends for Jezebel, however, and commands Jehu, his captain, to escort her caravan safely to Jezreel. Once Jehu meets Jezebel, he immediately becomes attracted to her and she confuses him for Ahab. Jezebel finally arrives at Jezreel and is greeted by Ahab who, stunned by her beauty, provides her with an individual chamber until they marry. On her wedding night, Jezebel evades Ahab and pursues Jehu, whom she seduces.
Jezebel establishes the cult of Baal, her idol, in Israel and builds a temple. Jehovah, the God of the Israelites, delivers drought upon Israel because of the idolatry and sends his prophet Elijah to reprimand the people. Elijah prays to Jehovah and the drought ends.
Paulette Goddard was signed to star in the film on April 22, 1953. Margia Dean was cast as Deborah on May 11. The film began shooting on May 13. Interior scenes were shot at KTTV Studios and exterior scenes were shot at Corriganville Ranch.
Sins of Jezebel received mixed reviews from critics. The News and Eastern Townships Advocate described the film as "a spectacular Robert L. Lippert, Jr. production in gorgeous new Ansco Color."The Toledo Blade also praised the film's color cinematography, but questioned the film's low budget by writing, "the desire was strong, but the cash was weak."
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