Signals (Rush album)
| Signals | ||||
|---|---|---|---|---|
 |
||||
| Studio album by Rush | ||||
| Released | September 9, 1982 June 3, 1997 (Remastered CD) |
|||
| Recorded | April–July 1982 | |||
| Studio | Le Studio, Morin Heights, Quebec | |||
| Genre | Pop rock, progressive rock | |||
| Length | 43:12 | |||
| Label | ||||
| Producer | Rush, Terry Brown | |||
| Rush chronology | ||||
|
||||
| Singles from Signals | ||||
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic |   |
| Rolling Stone | |
Signals is the ninth studio album by Canadian rock band Rush, released in 1982. It was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as synthesizers, sequencers, and electric violin. The album reached No. 10 on the Billboard album charts and was certified platinum (one million copies sold) by the RIAA in November 1982.
The writing of the album began in 1981, during soundchecks on the Moving Pictures Tour, which they taped. Coincidentally, parts of "Chemistry" were written by the band at once while they were separated from each other. Geddy Lee wrote the keyboard melody for the bridge section, Alex Lifeson wrote the guitar riff for the verse and Neil Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, in Orlando, Florida, the band attempted to watch a launch of the Space Shuttle Columbia. It was cancelled because of a computer malfunction, and they finally observed the launch a few days later for inspiration in writing "Countdown".
In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. It was recorded later and temporarily titled "Tough Break". Afterward, Peart wrote lyrics for the song, retitled "Subdivisions", while Lifeson and Lee came up with additional parts. Lee began experimenting with sequencers and drum machines while at home in Toronto, and came up with "The Weapon".
In January 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for "The Analog Kid" to Lee and they both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, "Digital Man" was put together and at Le Studio, the ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. The result, "New World Man", was written and recorded on the same day. In June, Ben Mink from the band FM was invited to play electric violin on "Losing It".
...
Wikipedia