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Shuttlecock (film)

Shuttlecock
Shuttlecock 1991.jpg
film poster
Directed by Andrew Piddington
Produced by
  • Graham Leader
  • Charles Ardan
Written by
  • Andrew Piddington
  • Tim Rose Price
Based on The novel of the same name
by Graham Swift
Starring
Music by
Cinematography
Edited by
  • Jon Costelloe
  • Joel Plotch
Production
companies
  • Sea Lion Films
  • Gigantic Pictures
  • Minerva Productions
Release date
  • 7 April 1993 (1993-04-07) (France)
Running time
85 minutes
Country
  • France
  • United Kingdom
Language English

Shuttlecock is a 1991 French-British thriller film directed by Andrew Piddington and starring Alan Bates, Lambert Wilson and Kenneth Haigh. It is based on the 1981 novel Shuttlecock by Graham Swift.

Major James Prentis (Alan Bates) is a British spy of World War II and war hero who goes under the code name of "Shuttlecock". Alienated from his family and children, he ends up in a mental institution in Lisbon, Portugal, where he eventually decides to publish his memoirs 20 years after the war. His son, John (Lambert Wilson), becomes increasingly alarmed with the enigmatic Dr. Quinn (Kenneth Haigh), the director of the institution, and concludes after reading his father's memoirs that Quinn is responsible for his father's mental decline.

The production for the film was marred with problems, which resulted in a long delay in release. Producer Graham Leader acquired the rights to the film in the late 1980s after a meeting with Graham Swift, the writer of the novel, and paid $7,500 for the rights over two years.Tim Rose Price, the writer of several BBC dramas, agreed to write the script, and worked on a script with Leader throughout 1989. Jon Amiel agreed to direct. Producers Leader and Charles Ardan approached Channel 4 and British Screen to finance the picture; Channel 4 agreed to shout $900,000, payable when the film was completed, and British Screen offered just over $500,000, if Leader could attract a co-producer on the European continent who could finance $1.5 million. Leader had searched for financing in the United States, but was turned down by the likes of Orion Classics and Avenue Pictures, who wanted the characters and settings Americanized. French independent French company Les Productions Belles Rives eventually agreed to partly finance the film. After one of France's largest film labs conceded to provide materials and film-processing services, a shortfall of $225,000 still remained.


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