"Shut Up (And Give Me Whatever You Got)" is a song recorded by British singer Amelia Lily. It was released on 20 January 2013, as her second single, Lily revealed that the track was a stronger release compared to her debut, citing that the track highlighted her attitude, vocals and a representation as an artist. The song was written by Brian Higgins, Luke Fitton, Tim Deal, Matt Gray, Miranda Cooper, Brooke X, Tim Powell, Toby Scott, Owen Parker and Joshua Jenkin.

"Shut Up (And Give Me Whatever You Got)" was the first song Lily ever recorded in the studio. Behind the meaning of the track, Lily revealed; "I wanted to do a ‘girl power’ song, a basically girls could listen to it and be like ‘Yeah, I can stand up for myself, I’m a strong independent woman.’ That’s what I wanted to get out of this song was for girls to feel like they could relate to it." In late October 2012, she revealed to Yahoo! News the title of the single and said it was a lot darker than her previous single. On 2 November 2012, the single premiered via a lyric video which was upload to her official YouTube channel. The artwork for the single, which sees LiIy striking a pose, while an alternative black and white head shot of herself is placed over her face, was released on 12 December 2012.

Robert Copsey of Digital Spy rated "Shut Up (And Give Me Whatever You Got)" three out of five stars, and added: "It may be a tad clunky around the edges, but her feistiness - like a tube of No More Nails - easily holds it together for the finish." Nick Levine of The Guardian described the track as a "stomping toddler of a pop song" and went on to compare it to a modern-day "post-EDM version of Holding Out For A Hero." However, Paul Leake of ClickMusic wrote a negative review calling the song "unconvincing" and "far beneath what Amelia's capable of". They went on to describe the track as "generic" and ended their review saying; "You'll find yourself glad when the end comes and that's a sad anti-climax. It's inoffensive, even catchy in the verses, but it does become maddening as the chorus repeats."NME wrote a negative review stating that the track made them "feel like a mad relic of a time before homogenized pop, adrift in a world of sticky floors and fluorescent shots."

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