Show People | |
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Theatrical advertisement
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Directed by | King Vidor |
Produced by |
Marion Davies King Vidor Irving Thalberg (uncredited) |
Written by |
Agnes Christine Johnston (treatment) Laurence Stallings (treatment) Wanda Tuchock (continuity) Ralph Spence (titles) |
Starring | Marion Davies William Haines |
Cinematography | John Arnold |
Edited by | Hugh Wynn |
Production
company |
Cosmopolitan Productions (Uncredited)
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Distributed by | Metro-Goldwyn-Mayer |
Release date
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Running time
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79 mins. |
Country | United States |
Language |
Silent film English intertitles |
Budget | $431,000 |
Show People is a 1928 American silent comedy film directed by King Vidor. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies (to a decidedly unimpressed reaction by herself in character as Peggy Pepper).
The film is a lighthearted look at Hollywood at the end of the silent film era (it was released the year after breakthrough talking picture The Jazz Singer), and is considered Davies' best role. Show People features no audible dialog but was released with a Movietone soundtrack with a synchronized musical score and sound effects. The film was re-released in the 1980s, with a new orchestral score by Carl Davis.
In 2003, Show People was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is currently available on DVD on-demand as part of the Warner Archive collection.
Young Peggy Pepper (Marion Davies) wants to be in motion pictures, so her father (Dell Henderson) drives her across the country from their home in Georgia to Hollywood. After some initial disillusionment, she meets Billy Boone (William Haines) in a studio commissary; he tells her to show up at his set if she wants work. Peggy goes, gets sprayed with seltzer water at her first entrance, and is at first shocked and dismayed to find she is doing slapstick comedy in low-budget "Comet" productions, but she decides to "take it on the chin" and, with Billy's loving support, becomes a success.