Shirley Clarke (October 2, 1919 – September 23, 1997) was an American experimental and independent filmmaker. She was also a director and editor to many famous works.
Born Shirley Brimberg in New York City, she was the daughter of a Polish-immigrant father who made his fortune in manufacturing. Her mother was the daughter of a multimillionaire Jewish manufacturer and inventor. Her sister was the writer Elaine Dundy. Her interest in dance began at an early age, but met with the disapproval of her father, a violent bully.
Clarke attended Stephens College, Johns Hopkins University, Bennington College, and University of North Carolina. As a result of dance lessons at each of these schools, she trained under the Martha Graham technique, the Humphrey-Weidman technique, and the Hanya Holm method of modern dance. She married Bert Clarke to escape her father's control, so she could study dance under the masters in New York City. She started her artistic career as a dancer in the New York avant garde modern dance movement. She was an avid participant in dance lessons and performances at the Young Women's Hebrew Association.
Her lack of success as a choreographer led her psychiatrist to suggest a career change, so she explored her interest in film. In her first film, Dance in the Sun (1953), she adapted a choreography of Daniel Nagrin. The New York Dance Film Society selected it as the best dance film of the year.
Clarke studied filmmaking with Hans Richter at the City College of New York after making In Paris Parks (1954). In 1955, she became a member of the Independent Filmmakers of America. She became part of a circle of independent filmmakers in Greenwich Village such as Maya Deren, Stan Brakhage, Jonas Mekas, and Lionel Rogosin.