Shingle house

In the United States, Queen Anne style architecture was popular from roughly 1880 to 1910. "Queen Anne" was one of a number of popular architectural styles to emerge during the Victorian era. Within the Victorian era timeline, Queen Anne style followed the Stick style and preceded the Richardsonian Romanesque and Shingle styles.

The style bears almost no relationship to the English Baroque architecture produced in the actual reign of Queen Anne from 1702 to 1714. It is loosely used of a wide range of picturesque buildings with "free Renaissance" (non-Gothic Revival) details rather than of a specific formulaic style in its own right. "Queen Anne", as an alternative both to the French-derived Second Empire and the less "domestic" Beaux-Arts architecture, is broadly applied to architecture, furniture and decorative arts of the period 1880 to 1910; some "Queen Anne" architectural elements, such as the wraparound front porch, continued to be found into the 1920s.

Queen Anne Style buildings in America came into vogue in the 1880s, replacing the French-derived Second Empire as the "style of the moment." The popularity of high Queen Anne Style waned in the early 1900s, but some elements, such as the wraparound front porch (often L-shaped), continued to be found on buildings into the 1920s.

The "Queen Anne" style that had been formulated in Britain by Norman Shaw and other architects arrived in New York with the new housing for the New York House and School of Industry (Sidney V. Stratton, architect, 1878) at 120 West 16th Street. Gabled and domestically scaled, it is of warm, soft brick enclosing some square terracotta panels, with an arched side passage leading to an inner court and back house; its detailing is largely confined to the treatment of its picturesquely disposed windows, with small-paned upper sashes and plate glass lower ones. There are triple windows of Serlian motif and a two-storey oriel that projects asymmetrically. The Astral Apartments, built in Brooklyn in 1885–1886 to house dock workers, provides another similar, and larger, example of red brick and terracotta Queen Anne architecture in New York.

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