Shep (Thanhouser Collie)
Shep with Helen Badgley
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| Species | Canine |
|---|---|
| Breed | Collie |
| Sex | Male |
| Nation from | American |
| Occupation | Actor |
| Employer | Thanhouser Company |
| Years active | 1913–1914 |
Shep, or The Thanhouser Dog or Shep the Dog (died November 1914), was a male collie dog who starred in a number of silent films made by the Thanhouser Company.
Shep was a collie owned by Jack Harvey, a film director. When Harvey was working for Vitagraph Studios, Shep appeared in a number of films, but was not given much publicity. In September 1914 Motion Picture Magazine said that Shep was owned by Arthur Ashley while he was with Vitagraph. In A Dog's Love, an 11 minute short released in October 1914, Shep plays a dog who grieves after his human playmate (Helen Badgley) has died. Other successful films in which Shep appeared were Shep's Race with Death and A Dog's Good Deed.
In November 1914 Reel Life said, "In The Barrier of Flames, a forthcoming Thanhouser release, Shep, the beautiful collie, who daily reports for work at the New Rochelle studio, performed another daring rescue, distinguishing himself by a feat of human heroism and sagacity by climbing a ladder and rescuing Helen Badgley from the top story of a burning house." The same month, The Moving Picture World wrote "Shep, Thanhouser's collie, has recently been acclaimed by critics as a great dog actor. His work in motion pictures is a study in itself. The dog rehearses his parts and goes through them just like a regular actor and never grumbles or tries to sass back."
In a feature on Shep The Chicago News of 23 December 1914 said
Shep is the name of a dog whose principal claim to fame is that he graces the screen in the capacity of a star, frequently appearing in the title roles of startling and melodramatic 'thrillers.' Shep is a Thanhouser collie, a valuable acquisition to that studio, and, according to the directors, goes about his work with a determination and precision which would do credit to many of his human friends in the profession. Like any ordinary star or stock performer, Shep must rehearse his parts until he attains a perfect understanding of his role. When a scene is ready to be enacted for the camera the canine takes his place among the players, watches them closely as they go through their respective parts and when his cue comes enters the scene without any delay, performing his duties intelligently, rarely spoiling the picture, thereby causing a take-over.
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