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Sheet Music (album)

Sheet Music
10ccSheetMusic.jpg
Studio album by 10cc
Released 28 May 1974
Recorded 1974
Studio Strawberry Recording Studios, Stockport, Cheshire, England
Genre Art rock, progressive rock, avant-pop
Length 37:12
Label UK (original release)
Mercury (1982 reissue)
Repertoire (2000 German CD reissue)
Producer 10cc
10cc chronology
10cc
(1973)10cc1973
Sheet Music
(1974)
The Original Soundtrack
(1975)The Original Soundtrack1975
Singles from Sheet Music
  1. "The Worst Band in the World" b/w "18 Carat Man of Means"
    Released: January 1974
  2. "The Wall Street Shuffle" b/w "Gismo My Way"
    Released: May 1974
  3. "Silly Love" b/w "The Sacro-Iliac"
    Released: August 1974

Sheet Music is the second album by the English rock band 10cc. It was released in 1974 on UK records (No: UKAL 1007) and yielded the hit singles "The Wall Street Shuffle" and "Silly Love". The album reached No 9 in the UK and No 81 in the United States. It was produced by 10cc, engineered and mixed by Eric Stewart.

Kevin Godley nominated Sheet Music as his favourite 10cc album to record. Graham Gouldman has also expressed that he considers Sheet Music as the best 10cc album. On the 10cc world website he writes: "Our best album, epitomising what 10cc was all about. Unique songwriting and production."

The album was produced by 10cc, engineered and mixed by Eric Stewart. In a 2006 interview ex-drummer Kevin Godley said: "We’d really started to explode creatively and didn’t recognise any boundaries. We were buzzing on each other and exploring our joint and individual capabilities. Lots of excitement and energy at those sessions and, more important, an innocence that was open to anything."

While 10cc were recording the album during the day, Paul McCartney was using the studio in the evenings to produce his brother Mike's album, McGear. Graham Gouldman remarked how the band used Paul's drum kit for their album, and how Paul's influence was certainly felt while making the record.

In the short and quirky "Clockwork Creep", which ends side one of the album, the subject of the song is a bomb describing its final minute in its countdown to detonation aboard a jumbo jet.

Charley Walters in his 1974 Rolling Stone review felt that the band had "concocted standard pop into their own inventive, even sophisticated, art", and that while not typical pop music it would be popular with AM-oriented DJs and their listeners.Billboard felt the band had a "certain zany feeling", but that "their songs are far from silly when carefully listened to" and they had "some of the most innovative vocal techniques and instrumental arrangements around".


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