"Shame" is a song recorded by British pop music duo Eurythmics. It was written by band members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's seventh album Savage and was released as the second single in the UK. "Shame" was not released in the United States.

The track is a synthpop ballad in which the protagonist expresses regret and disdain for excessive and shallow lifestyles led by those who frequent nightclubs, bars, parties and the like. The lyrics namecheck The Beatles and The Rolling Stones and mentions the song "All You Need is Love".

"Shame" stalled at number forty-one in the UK singles chart, the first Eurythmics single to miss the UK Top 40 since "Julia" in 1985.

William Ruhlmann of Allmusic reviewed the Savage album and highlighted the song as an album standout by labeling it an AMG Pick Track.

In the Spin magazine of March 1988, under the "Spin's Platter du Jour" section was a track by track review of the album. For "Shame", the article stated "According to many theosophists and metaphysicians, glamour is one of the most dangerous forms of Maya. But according to a clever minority, glamour is also one of the most potentially tonic and healing forms of information. In fact, as a result of this antiphonal love manifesto, I feel better already."

In Musician magazine, Issues 111-116 (Amordian Press), a review of the album stated "...Savage is full of such sonic oxymorons, from the icy passion of "Shame" to the sinister snobbery of "Beethoven (I Love to Listen to)," making this an interesting set of mind games but nothing you'd play often." In Spare Rib, Volumes 174-185 (Spare Ribs Limited), a review of the album spoke of the song, where it noted that the lyrics covered "success and disilllusion". Writer Thom Duffy of The Orlando Sentinel reviewed the album for issue of 10 January 1988 and stated "Shame" and "Savage" are slow, ethereal arrangements."

Robert Hilburn reviewed the album for the The Bulletin issue of 4 March 1988. He stated "Most of the lyrics come off as elitist cynicism. Love is the culprit in virtually every instance. In the Eurythmics' version of it. The B-movie-script quality that marks most of the songs mocks the very idea of romantic intimacy. In that respect Savage is consistent with the rest of the Eurythmics' work. There is a fearsome disrespect for conventional roles. "Shame," especially, tatkes on the idea of raised expectations generated by the media and nails it down as patently false. Everything is a con job...everything from movies to TV to the Beatles and the Rolling Stones."

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