Shakti Samanta
| Shakti Samanta | |
|---|---|
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| Native name | শক্তি সামন্ত |
| Born |
13 January 1926 Burdwan, British India |
| Died | 9 April 2009 (aged 83) Mumbai, India |
| Occupation | film director, film producer, Founder "Shakti Films" (1957) |
Shakti Samanta (13 January 1926 – 9 April 2009) was an Indian film director and producer, who founded Shakti Films in 1957, which is most known for films such as Howrah Bridge, China Town, Kashmir Ki Kali, An Evening in Paris, Kati Patang and Amar Prem.
He received Filmfare Awards for Best Film for Aradhana (1969), Anuraag (1973) and Amanush, which was also made in Bengali, a language in which he made six films, including an Indo-Bangladesh joint production in 1984.
Born in Village: Bokra Post Office: Raina in District: Burdwan, State: West Bengal, India, he received his education at Dehradun, staying with his uncle. He graduated in 1944 from Calcutta University.
After completing his education he wanted to become an actor in the Hindi film industry at Bombay, so moved closer to the city. He took a school teacher's job in Dapoli, about 200 kilometres from Mumbai. He eventually joined the film industry in 1948 as an assistant director starting with Satish Nigam in Raj Kapoor starrer Sunhere Din, subsequently he worked with directors like Gyan Mukherjee, and Phani Majumdar at Bombay Talkies, in Tamasha, Baadbaan and Dhobi Doctor.
Eventually he got his break as an independent director when Samanta directed his first feature film, Bahu in 1954, starring Karan Dewan, Usha Kiron, Shashikala and Pran and after the success for his next few films, Inspector (1956), Sheroo (1956), Detective (1957) and Hill Station (1957), he started his own production company, Shakti Films, in 1957, and the first release of his independent banner was the murder-mystery Howrah Bridge, with Ashok Kumar and Madhubala as the lead, with its crooning number 'Aaiye Meherbaan' with music by O. P. Nayyar, sung by Asha Bhosle in a notable Geeta Dutt style, and picturised on Madhubala became a rage, and the film a breakthrough hit; this was a turning point. With Insaan Jaag Utha (1959) starring Sunil Dutt and Madhubala, he wanted to shift to making films on social themes, but when it was unsuccessful, he shifted back to making entertainers for another decade, for returning to social themes, with Aradhana (1969).
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