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Shake, Rattle and Roll

"Shake, Rattle and Roll"
Shake, Rattle and Roll single cover.jpg
Single by Big Joe Turner
B-side "You Know I Love You"
Released April 1954 (1954-04)
Format 10-inch 78 rpm record
Recorded New York City, February 15, 1954
Genre Rhythm and blues
Length 2:59
Label Atlantic (no. 1026)
Writer(s) Charles E. Calhoun a.k.a. Jesse Stone
Big Joe Turner singles chronology
"TV Mama"
(1954)
"Shake, Rattle and Roll"
(1954)
"Well All Right"
(1954)
"Shake, Rattle And Roll"
Single by Elvis Presley
B-side "Lawdy Miss Clawdy"
Released 1956
Format 45 rpm, 78 rpm, 12" 33⅓ rpm, 12" 45 maxi single
Genre Rockabilly
Length 2:27
Label RCA Victor
Elvis Presley singles chronology
"Don't Be Cruel"
(1956)
"Shake, Rattle and Roll"
(1956)
"Blue Suede Shoes"
(1956)

"Shake, Rattle and Roll" is a twelve bar blues-form song, written in 1954 by Jesse Stone under his assumed songwriting name, Charles E. Calhoun. It was originally recorded by Big Joe Turner and most successfully by Bill Haley & His Comets. The song as sung by Big Joe Turner is ranked #127 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". (Stone used his real name for ASCAP songs, while using the name "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll," through Atlantic's house publishers, Progressive Music, Inc.-BMI)

However, the phrase had been used in earlier songs. In 1919, Al Bernard recorded a song about gambling with dice with the same title, clearly evoking the action of shooting dice from a cup. The phrase is also heard in "Roll The Bones" by the Excelsior Quartette in 1922.

Turner's version was recorded in New York on February 15, 1954. The shouting chorus on his version consisted of Jesse Stone, and record label executives Jerry Wexler and Ahmet Ertegün. The saxophone solo was by Sam "The Man" Taylor. Other players included McHouston "Mickey" Baker ("Love is Strange") on guitar and drummer Connie Kay (later from the Modern Jazz Quartet). Turner's recording was released in April 1954, reached #1 on the US Billboard R&B chart on June 12, did not move for three weeks, and peaked at #22, nearly at the same time, on the Billboard pop chart (subsequently billed as the Billboard Hot 100).


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