Shadow Dancing | ||||
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Studio album by Andy Gibb | ||||
Released | April 1978 (US) September 1978 (UK) |
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Recorded | December 1977 – February 1978 | |||
Studio | Wally Heider Studios, Los Angeles, California | |||
Genre | Disco, pop rock, soft rock, country | |||
Length | 41:13 | |||
Label | RSO | |||
Producer | Gibb-Galuten-Richardson | |||
Andy Gibb studio albums chronology | ||||
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Singles from Shadow Dancing | ||||
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Allmusic |
Shadow Dancing is the second album by English singer-songwriter and teen idol Andy Gibb, released in April 1978 in the United States and September 1978 in the United Kingdom. It was Gibb's highest charting album in some countries including America and in Canada. This LP was his only album to chart in the UK. The album had released four singles including the three US Top 10 and one single that was not charted elsewhere.
Continuing the momentum of his first successes, notably "I Just Want to Be Your Everything", he began work with the Gibb-Galuten-Richardson production team on his second album. Although the album is not currently in print, it was released to iTunes along with the other two Andy Gibb albums in 2011. As of 2017, the album has been removed from iTunes.
Gibb's second album was made under the direction of Albhy Galuten and Karl Richardson, mostly while Barry, Robin and Maurice were off filming Sgt. Pepper's Lonely Hearts Club Band up to January. Shadow Dancing was recorded from December 1977 to February 1978. Barry again was executive producer and was present during recording of a few of the songs. John Sambataro, who sang backing and harmony vocals on the non-Barry songs, plays slide guitar. Sambataro later worked with Dave Mason and McGuinn, Clark and Hillman and he later joined Firefall. "Why" has feature a slide guitar by John Sambataro, as well as the guitar work of Jock Bartley of Firefall, "I Go for You" features guitar work by Don Felder of Eagles.
Gibb also relied on Galuten's musical expertise to help translate his musical ideas into reality by co-writer or co-composer of some of his songs, as Gibb says "He'll sit down at the keyboards and find chords that we're hearing. He's magic. He hears exactly what you're hearing. 'One More Look at the Night' - that came across in 10 or 15 minutes".