Cover of the first edition
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Author | Camille Paglia |
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Country | United States |
Language | English |
Subject | Art and literature, the Decadent movement |
Published | 1990 (Yale University Press) |
Media type | Print (Hardcover and Paperback) |
Pages | 712 |
ISBN |
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson is a 1990 work about sexual decadence in Western literature and the visual arts by scholar Camille Paglia, in which Paglia addresses major artists and writers such as Donatello, Sandro Botticelli, Leonardo da Vinci, Edmund Spenser, William Shakespeare, Johann Wolfgang von Goethe, Samuel Taylor Coleridge, Lord Byron, Emily Brontë, and Oscar Wilde. Paglia argues that the primary conflict in Western culture is between the binary forces of the Apollonian and Dionysian, Apollo being associated with order and symmetry, and Dionysus with chaos, disorder, and nature. The book received critical reviews from numerous feminist scholars, but was praised by some literary critics, including Harold Bloom and Robert Alter.
By Paglia's own account, the ancestor of Sexual Personae was a book on aviator Amelia Earhart that she began to write in high school. Paglia's discovery of Simone de Beauvoir's The Second Sex in 1963 inspired her to write a book larger in scope. Sexual Personae began to take shape in essays Paglia wrote in college between 1964 and 1968. The title was inspired by Ingmar Bergman's film Persona, which Paglia saw on its American release in 1968. The work was finished in 1981, but was rejected by seven major New York publishers before being released by Yale University Press in 1990. Paglia credits editor Ellen Graham with securing Yale's decision to publish the book. The original preface to Sexual Personae was removed at the suggestion of Yale editors because of the book's extreme length, but was later published in Paglia's essay collection Sex, Art, and American Culture (1992).