Sextet (Poulenc)
| Sextuor Sextet |
|
|---|---|
| Chamber music by Francis Poulenc | |
| Catalogue | FP 100 |
| Composed | 1931–32 |
| Scoring |
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The Sextuor (Sextet), FP 100, is a chamber music composition written by Francis Poulenc for a standard wind quintet (flute, oboe, clarinet, bassoon, and French horn) and piano. Estimates about the time of its composition range from between 1931 and 1932 and 1932 alone. The piece was extensively revised in 1939. Performed in its entirety, it lasts for 18 minutes.
The Sextet was composed at the height of Poulenc's Les Six years. It was written around the same time as the cantata Le Bal Masqué and the Concerto for Two Pianos. Poulenc did not always find composing to be a quick process, and this work is an example of a time in which that was the case.
The piece is divided into three sections:
The first movement begins with upward scales by all instruments, before transferring into an energetic beginning section with complex rhythms, jazz undertones, and an underlying line from the pianist. In the middle of the movement is a slower section led in by a bassoon melody which is then repeated by the other instruments. The original tempo returns at the end of the movement.
The second movement is in a "slow-fast-slow" form. It has been seen as influenced by Classical period music and divertimentos as well as a parody of Mozart's slow movements. It uses a variety of textures in the woodwinds which are accompanied by piano. Orrin Howard of the Los Angeles Philharmonic viewed the fast interlude as a form of musical comic relief.
The finale begins with "an Offenbachian gallop" and is in rondo form. It has jazz and ragtime influences and has been interpreted as a satirical depiction of neoclassicism in music. The finale repeats themes from the previous two movements and ends with a lyrical and solemn coda with influences from Maurice Ravel.
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