Service (film)
| Service | |
|---|---|
| Serbis | |
| Directed by | Brillante Mendoza |
| Produced by | Ferdinand Lapuz |
| Screenplay by | Armando Lao |
| Story by | Armando Lao Boots Agbayani Pastor |
| Starring |
Gina Pareño Jaclyn Jose Julio Diaz Kristoffer King Mercedes Cabral Coco Martin |
| Music by | Gian Gianan |
| Cinematography | Odyssey Flores |
| Edited by | Claire Villa-Real |
| Distributed by | Centerstage Productions Swift Productions |
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Release date
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Running time
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90 minutes |
| Country | Philippines |
| Language | Tagalog |
| Box office | $155,156 |
Service (Tagalog: Serbis) is a 2008 Filipino independent drama film directed by Brillante Mendoza and stars Gina Pareño as the matriarch of the Pineda family who owns a porn cinema in Angeles City, Pampanga. The film competed for the Palme d'Or in the main competition at the 2008 Cannes Film Festival. It is also the first Filipino film to compete at the main competition in Cannes, since Lino Brocka's Bayan Ko: Kapit sa Patalim in 1984.
Service is a drama that follows the travails of the Pineda family in the Filipino city of Angeles. Bigamy, unwanted pregnancy, possible incest and bothersome skin irritations are all part of their daily challenges, but the real "star" of the show is an enormous, dilapidated movie theater that doubles as family business and living space. At one time a prestige establishment, the theater now runs porn double bills and serves as a meeting ground for hustlers of every conceivable persuasion. The film captures the sordid, fetid atmosphere, interweaving various family subplots with the comings and goings of customers, thieves and even a runaway goat while enveloping the viewer in a maelstrom of sound, noise and continuous motion.
Service caused a stir in the Philippines with its loud ambient noise and its graphic depiction of sex and nudity. Submitted to the Movie and Television Review and Classification Board for public exhibition in 2008, the movie survived with two major cuts to sex scenes and was rated an R18.
Such was the advance international buzz of the film that it was invited to compete at the 61st Annual Cannes Film Festival, being the 3rd overall entry from the Philippines (following the films of director Lino Brocka, Jaguar and Bayan Ko: Kapit sa Patalim). Its premiere at the festival was marked by the walking out of several veteran film critics who protested Mendoza's version of "misery porn."
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