September (2007 film)
| September | |
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| Directed by | Peter Carstairs |
| Produced by | John Polson |
| Written by |
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| Starring |
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| Music by | Roger Mason |
| Cinematography | Jules O'Loughlin |
| Edited by | Martin Connor |
| Distributed by | Hopscotch Films |
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Release date
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Running time
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85 minutes |
| Country | Australia |
| Language | English |
| Budget | A$2.4m |
September is a 2007 Australian drama film, directed by Peter Carstairs and produced by John Polson. Set in Western Australia's wheatbelt in 1968 (though filmed at Harden, New South Wales), it stars Xavier Samuel and Clarence John Ryan as two teenagers whose interracial friendship struggles to withstand the expectations of their community. The film sensitively documents the disparity and discrimination faced by the country's Aboriginal people.
Rick and Eve Anderson are traditional wheat-and-wool farmers in Western Australia's drought-prone wheatbelt. Their 15-year-old son Ed enjoys a close friendship with Paddy, the son of Aboriginal labourer Michael Parker whose family lives in a shack on the farm and receives sustenance provisions in return for their labour. Ed attends school in a nearby township.
Paddy receives no schooling but Ed has taught him to read, and he aspires to more in life than his family's virtual slavery. One weekend, on a shopping trip to town, the boys go to the cinema, where the colour bar obliges them to sit in separate rows. They see a newsreel about the Aboriginal boxer Lionel Rose who has won a world championship and is a national hero. The boys build an outdoor boxing ring in a field. As they engage in friendly sparring, Paddy forms the ambition of escaping slavery by joining Jimmy Sharman's fairground boxing troupe. Their relationship is also tested by Ed's adolescent attraction to a girl, Amelia, whose family has moved to the property next door.
In the previous year (1967), a federal referendum had overwhelmingly determined removal of official discrimination against Aborigines, and given the federal parliament power to make special laws with regard to them. There was simultaneous agitation for other rights, including equal pay for farm workers. However, when Paddy's father enquired whether he could be given wages, his boss Rick Anderson replied that he lacked funds. The Aboriginal family could either continue unpaid or vacate their home on the farm. Michael Parker, whose wife was caring for a new baby, saw no option than to go on working without pay.
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