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Seann Triubhas


The Seann Triubhas is a Highland Dance pronounced 'shawn trews' (Scottish Gaelic pronunciation: [ʃãũn̪ˠ t̪ɾu.əs̪]). "Seann Triubhas" is a Gaelic phrase which means "Old Trousers".

There has been a widely accepted story that the kicking or sweeping movements of the legs in the first step represented the attempt of the dancer to shake off the 'despicable' trews, but D.G. MacLennan writes in Traditional Highland and Scottish Dances that 'this first step has nothing to do with the idea of kicking off the trews, but...is new to the dance and was composed by myself'. The Seann Triubhas, then, is simply about a pair of old trews which may or may not have been a subject of distaste or fun to the wearer, and may or may not have something to do with the Jacobite Rebellion of 1745.Trews were anciently associated with the Celts. Martin Martin described trews as common men's wear throughout the Hebrides in his 1695 "Description of the Western Islands of Scotland." Tartan trews were part of the Highland wardrobe for chieftains and gentlemen whilst on horseback (the large Highland ponies) from the early 17th century onward. Some Seann Triubhas steps seem to have originated from hard shoe dancing, and the dance was taught to be performed in regular shoes with heels by dancing masters in the 19th century. In her Memoirs of a Highland Lady, Elizabeth Grant recounted that in 1805 she 'danced my Shean Trews...in a new pair of yellow (!) slippers bought at Perth'.

In the late 18th century, the dance was performed to a fiddle tune called 'Seann Triubhas Uilleachan' (Gaelic for 'Willie's old trousers'), previously and more scurrilously called 'The De'il Stick the Minister'. When the dance began to be incorporated into Highland Dance competitions, which were usually played for by pipers, the tune was changed to 'Whistle O'er the Lave o't', which could be played on the bagpipe and is the tune commonly used for the dance today.

In contemporary competitive Highland Dance, after dancing three to four steps, the dancer will clap, which signals the piper to speed up the music. The final, or 'Quick Time' steps look similar to the Highland Fling, and Quick Time steps currently described in the Scottish Official Board of Highland Dancing (SOBHD) textbook are steps that used to be danced in the Fling. Other steps have been published by G. Douglas Taylor, William Cameron, D.G. MacLennan, and Tom and Joan Flett.


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