Scrooge, or, Marley's Ghost | |
---|---|
Directed by | Walter R. Booth |
Produced by | Robert W. Paul |
Written by |
Charles Dickens J.C. Buckstone |
Based on |
A Christmas Carol by Charles Dickens |
Production
company |
Paul's Animatograph Works
|
Release date
|
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Running time
|
6 mins 20 secs |
Country | United Kingdom |
Scrooge, or, Marley's Ghost is a 1901 British short silent drama film, directed by Walter R. Booth, featuring the miserly Ebenezer Scrooge confronted by Marley's ghost and given visions of Christmas past, present, and future, is the earliest known film adaptation of Charles Dickens's 1843 novel A Christmas Carol. The film, "although somewhat flat and stage-bound to modern eyes," according to Ewan Davidson of BFI Screenonline, "was an ambitious undertaking at the time," as, "not only did it attempt to tell an 80 page story in five minutes, but it featured impressive trick effects, superimposing Marley's face over the door knocker and the scenes from his youth over a black curtain in Scrooge's bedroom."
Filmed in 35mm and in black and white, this short silent film was produced by the English film pioneer R. W. Paul, and directed by Walter R. Booth and was filmed at Paul's Animatograph Works. It was released in November 1901. As was common in cinema's early days, the filmmakers chose to adapt an already well-known story, in this case A Christmas Carol by Charles Dickens, in the belief that the audience's familiarity with the story would result in the need for fewer intertitles. It was presented in 'Twelve Tableaux' or scenes. The film contains the first use of intertitles in a film.
Evidence suggests that Paul's version of A Christmas Carol was based as much on J. C. Buckstone's popular stage adaptation Scrooge as on Dickens' original story. Like the play, the film dispenses with the different ghosts that visit Scrooge, instead relying upon the figure of Jacob Marley, draped in a white sheet, to point out the error of Scrooge's ways. The film featured impressive trick effects by 1901 standards, superimposing Marley's face over the door knocker, and displaying the scenes from his youth on a black curtain in Scrooge's bedroom. R. W. Paul was a trick film specialist; Walter Booth, credited as the film's director, was a well-known magician as well as a trick and comic film specialist. The film makes early use of dissolving between scenes. Some scenes are tinted.