Scobie Malone (film)

Scobie Malone is a 1975 Australian film based on the novel Helga's Web by Jon Cleary about detective Scobie Malone (Thompson). The film is also known as Helga's Web and Murder at the Opera House.

Sydney homicide detective Sergeant Scobie Malone (Jack Thompson) and his offsider (Shane Porteous) investigate the murder of Helga (Judy Morris), whose corpse is found in the basement of the Sydney Opera House. Malone had met Helga previously and discovers she was a high class prostitute who was also a mistress of the Minister for Culture (James Workman) and involved with film director Jack Savannah (Joe Martin). In flashback it is shown that Helga was blackmailing the minister and his wife (Jacqueline Kott), along with a crime boss, Mr Sin (Noel Ferrier).

Eventually it is revealed that Helga was killed while fleeing Captain Bixby (Fred "Cul" Cullen). Malone becomes convinced of the guilt of the Minister, but powerful influences intervene and he gets off. The Minister resigns, citing ill health, and travels to Europe with his wife. Malone criticises his boss, Inspector Fulmer (Walter Sullivan) and is suspended for insubordination for ninety days. Fulmer later suggests he come back, but Scobie elects to stay by the pool for the full ninety days.

The film rights to the novel were originally purchased by Brian Chirlian and John Shore, who hired Cleary to do the screenplay. Casey Robinson, a famous Hollywood screenwriter who had retired to Sydney three years earlier with his Australian wife, then became involved as producer. He did not like Cleary's adaptation and elected to do it himself in collaboration with another writer. Some key changes were made from the book, notably turning Scobie Malone into a womaniser who lives in a singles-only apartment block and has sex with a large number of women, including air hostesses whose name he can't remember.

Robinson managed to pre-sell the film to America, one of the first times this had been done for an Australian film. US$200,000 of the budget was raised from the Australian Film Development Corporation, with the rest coming from private investment.